Not currently on display at the V&A

Fifteen drawings of monuments in Agra, Delhi and Fatehpur Sikri.

Architectural Drawing
ca.1820 (drawn)
Artist/Maker
Place of origin

This is a Company painting depicting the Moti Masjid ( or Pearl Mosque), situated in the middle of the Fort at Agra. It was built in 1654 during the reign of the Emperor Shah Jahan and is considered to be one of the most beautiful of Mughal buildings.

‘Company paintings' were produced by Indian artists for Europeans living and working in the Indian subcontinent, especially British employees of the East India Company. They represent a fusion of traditional Indian artistic styles with conventions and technical features borrowed from western art. Some Company paintings were specially commissioned, while others were virtually mass-produced and could be purchased in bazaars.


Object details

Categories
Object type
TitleFifteen drawings of monuments in Agra, Delhi and Fatehpur Sikri. (generic title)
Materials and techniques
Watercolour on paper with embossed borders.
Brief description
Architectural; Paintings, watercolour paper, Delhi, ca.1820
Physical description
The Moti Masjid at Agra. The border is embossed with a thin grey-blue line round the outer edge.
Dimensions
  • Length: 12cm
  • Width: 19.5cm
Style
Marks and inscriptions
Motee Musjid, or Pearl Temple, in the Fort at Agra (English; Roman; Front; ink; c.1820)
Object history
Lord Amherst (2nd Baron, 1st Earl) was Governor-General of India from August 1823 to March 1828. Both he and his wife had a keen interest in India and Lady Amherst was a skilled watercolourist.
Production
Watermark: Smith and Allnutt (1816)
Subject depicted
Place depicted
Summary
This is a Company painting depicting the Moti Masjid ( or Pearl Mosque), situated in the middle of the Fort at Agra. It was built in 1654 during the reign of the Emperor Shah Jahan and is considered to be one of the most beautiful of Mughal buildings.

‘Company paintings' were produced by Indian artists for Europeans living and working in the Indian subcontinent, especially British employees of the East India Company. They represent a fusion of traditional Indian artistic styles with conventions and technical features borrowed from western art. Some Company paintings were specially commissioned, while others were virtually mass-produced and could be purchased in bazaars.
Bibliographic reference
Archer, Mildred. Company Paintings Indian Paintings of the British period Victoria and Albert Museum Indian Series London: Victoria and Albert Museum, Maplin Publishing, 1992 135 p. ISBN 0944142303
Collection
Accession number
IS.13-1964

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Record createdDecember 15, 1999
Record URL
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