Wedding Dress
1934 (designed)
| Artist/Maker | |
| Place of origin |
Miss Baba Beaton wore this dress when she married Mr Alec Hambro on 6 November 1934. It is an early example of the work of the designer Charles James. It anticipates later developments in his style, particularly his approach to complex cut. The beauty of the design lies in its deceptive simplicity and the designer's complete understanding of the potential of the fabric. Darts and seams shape the smooth ivory satin, which clings and drapes around the body in order to enhance the graceful figure. James said, 'all my seams have meaning - they emphasise something about the body'.
Although he was born in Britain, James worked as a milliner and custom dressmaker in New York between 1924 and 1929. In 1929 he opened premises in London. During the early 1930s he travelled extensively between London and Paris, establishing a Paris branch in 1934. Like Elsa Schiaparelli he was a friend of the Surrealist painter Salvador Dalí and made use of Surrealist influences in his designs.
Although he was born in Britain, James worked as a milliner and custom dressmaker in New York between 1924 and 1929. In 1929 he opened premises in London. During the early 1930s he travelled extensively between London and Paris, establishing a Paris branch in 1934. Like Elsa Schiaparelli he was a friend of the Surrealist painter Salvador Dalí and made use of Surrealist influences in his designs.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Silk satin, trimmed with wax orange-blossom, cut on the bias |
| Brief description | Wedding dress of silk satin, designed by Charles James, England, 1934. |
| Physical description | Wedding dress of ivory-cream silk satin, with high neckline and long tight sleeves. The fabric is bias cut, the torso elaborately seamed and darted to sculpt the smooth satin to fit the body beneath closely. The skirt of the dress extends into a long train which extends into two separate double-points of satin. Spray of wax orange-blossom worn at the neck. |
| Dimensions |
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| Production type | Haute couture |
| Gallery label |
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| Credit line | Given by Mrs Alec Hambro |
| Object history | Worn by Miss Barbara "Baba" Beaton, the sister of Cecil Beaton, when she married Mr. Alec Hambro on 6 November 1934. |
| Associations | |
| Summary | Miss Baba Beaton wore this dress when she married Mr Alec Hambro on 6 November 1934. It is an early example of the work of the designer Charles James. It anticipates later developments in his style, particularly his approach to complex cut. The beauty of the design lies in its deceptive simplicity and the designer's complete understanding of the potential of the fabric. Darts and seams shape the smooth ivory satin, which clings and drapes around the body in order to enhance the graceful figure. James said, 'all my seams have meaning - they emphasise something about the body'. Although he was born in Britain, James worked as a milliner and custom dressmaker in New York between 1924 and 1929. In 1929 he opened premises in London. During the early 1930s he travelled extensively between London and Paris, establishing a Paris branch in 1934. Like Elsa Schiaparelli he was a friend of the Surrealist painter Salvador Dalí and made use of Surrealist influences in his designs. |
| Bibliographic reference | Fashion : An Anthology by Cecil Beaton. London : H.M.S.O., 1971
158 |
| Collection | |
| Accession number | T.271-1974 |
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| Record created | December 15, 1999 |
| Record URL |
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