Altar thumbnail 1
Altar thumbnail 2
Not currently on display at the V&A

Altar

ca. 1750 (made)
Artist/Maker
Place of origin

These precious materials are typical of mid-18th-century Roman creations. The angels are modelled on sculptures by Gian Lorenzo Bernini (1598-1680). The altar - used for devotions in a private chapel - was probably a royal gift for Marie Josephe (1731-67), daughter-in-law of Louis XV of France. Her initials appear beneath the royal crown on the marble door which opens to reveal a tortoise-shell lined interior compartment.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world’s great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.


Object details

Categories
Object type
Materials and techniques
Alabaster, amethyst, marble, silver-gilt, wood, tortoiseshell
Brief description
House altar of alabaster, amethyst, marble, silver-gilt, wood, tortoiseshell. Rome, ca.1750.
Physical description
White marble house altar of architectural form with a crown on the bottom panel with the initials MJL (possibly for Marie Josephe, daughter-in-law of Louis XV). The altar is decorated with alabaster, amethyst, tortoiseshell and silver-gilt.
Dimensions
  • Height: 59.5cm
  • Width: 38.3cm
  • Depth: 24.8cm
  • Weight: 16.52kg
Marks and inscriptions
The bottom panel with the initials MJL (possibly for Marie Josephe, daughter-in-law of Louis XV)
Gallery label
  • 3. House altar About 1750 This altar bears the initials of Marie Josephe (1731–67), daughter-in-law of King Louis XV of France. Its scrolls and curves evoke the Baroque style that became popular a century earlier. In contrast, the combination of gilded figures and precious amethyst is comparable to the clock (5) made for Napoleon Bonaparte half a century later. Rome, Italy Alabaster, amethyst, marble, gilded silver, wood and turtleshell Museum no. Loan:Gilbert.17-2008(16/11/2016)
  • House altar About 1750 The precious materials are typical of mid-18th-century Roman mosaics. The angels are modelled on sculptures by Gian Lorenzo Bernini (1598-1680). The altar - used for devotions in a private chapel or by travelling members of the aristocracy - was probably a royal gift for Marie Josephe (1731-67) daughter-in-law of Louis XV of France. Her initials appear beneath the royal crown. Rome, Italy Alabaster, amethyst, marble, gilded silver, wood and tortoiseshell. Museum no.Loan:Gilbert.17-2008(2009)
Credit line
The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London
Object history
Provenance: Alberto di Castro, Rome, 1976.

Historical significance: Although the exact purpose of this house altar is not recorded, it was probably made as a royal present in Rome. The angels on the top recall Gian Lorenzo Bernini's angels on the altar of the Cappella del SS.Sacramento in the Vatican. Two holes bored in the upper edge of the half dome indicate that the angels originally supported a coat-of-arms or a cartouche.
Historical context
The crown surmounting the initials on the door panel appears to be French since it has the Bourbon fleurs-de-lys around it.
Subjects depicted
Summary
These precious materials are typical of mid-18th-century Roman creations. The angels are modelled on sculptures by Gian Lorenzo Bernini (1598-1680). The altar - used for devotions in a private chapel - was probably a royal gift for Marie Josephe (1731-67), daughter-in-law of Louis XV of France. Her initials appear beneath the royal crown on the marble door which opens to reveal a tortoise-shell lined interior compartment.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world’s great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
Bibliographic references
  • Massinelli, Anna Maria with contributions by Jeanette Hanisee Gabriel. Hardstones: The Gilbert Collection. London: Philip Wilson Publishers Ltd. in association with The Gilbert Collection, 2000. 329 p., ill. Cat. no. 48, pp. 132-133. ISBN 0856675105.
  • Gonzalez-Palacios, Alvar. The Art of Mosaics. Los Angeles: Los Angeles County Museum of Art, 1977. 143 p., ill. Cat. no. 15. ISBN 0875870805.
  • Gonzalez-Palacios, Alvar and Steffi Röttgen with essays by Steffi Röttgen, Claudia Przyborowski; essays and new catalogue material translated by Alla Theodora Hall. The Art of Mosaics: Selections from the Gilbert Collection. Los Angeles (Los Angeles County Museum of Art) 1982, 224 p., ill. Cat. no. 15. ISBN 0875871097
Other numbers
  • 15 (Monumental Silver and the Art of Mosaics exhibition 1977) - Exhibition number
  • TU 89 - Arthur Gilbert Number
  • 1999.57 - The Gilbert Collection, Somerset House
  • SG 311 - Arthur Gilbert Number
Collection
Accession number
LOAN:GILBERT.17-2008

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Record createdJune 19, 2008
Record URL
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