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Snuffbox

ca. 1750 (made), 1850-1900 (made)
Artist/Maker
Place of origin

The simplicity of the goldsmith's work makes the dating of this snuffbox difficult, however the cut and setting of the stones in the floral thumbpiece (used to open the box) suggest that it dates from the second half of the 19th century. The box was made to provide a setting for the earlier porcelain plaque, produced at Meissen around 1750.

Snuffboxes made of porcelain followed the shapes of those made in gold and hardstones. Painted scenes or portraits ornamented the sides, covers and interiors. Changing forms and decoration were important, as these fashion accessories might be chosen to match the season or a particular costume. Most European (though rarely English) porcelain factories made snuffboxes. The largest producer was Meissen in Germany, which manufactured vast quantities of boxes from about 1735-65. A price list of 1765 mentions 11 varieties, the least expensive painted with flowers.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.


Object details

Categories
Object type
Materials and techniques
Gold, hard-paste porcelain, rubies, emeralds and diamonds
Brief description
Gold set with a Meissen porcelain plaque, Germany, ca.1750, the gold box probably German ca. 1850-1900
Physical description
Rectangular gold snuffbox with plain bombe walls and plain base, the cover set with a hard-paste porcelain plaque, painted on the outside with two shepherdesses and a shepherd in a landscape, and on the inside with the bath of Venus, within a reeded border. The scrolling floral thumbpiece is set with rubies, emeralds and diamonds.
Dimensions
  • Length: 9.3cm
  • Width: 7.9cm
  • Height: 4cm
Marks and inscriptions
Mark for gold imported from countries without Customs Conventions with France, June 1, 1893 onwards (On the left bezel)
Gallery label
  • 6. Snuffbox with shepherdesses and shepherd Box: 1850–1900. Plaque: about 1750 The simplicity of the goldsmith’s work makes the dating of this snuffbox difficult. However, the cut and setting of the stones in the floral thumbpiece (used to open the box) suggest it may date from around 1850 to 1900. The box was made to provide a setting for the earlier porcelain plaque on the cover. Box: Probably Germany Plaque: Meissen, Germany Hard-paste porcelain, enamel colours and gold Museum no. Loan:Gilbert.524-2008(16/11/2016)
  • Snuffbox with shepherdesses and shepherd Box: 1850–1900. Plaque: about 1750 The simplicity of the goldsmith’s work make the dating of this snuffbox difficult. But the cut and setting of the stones in the floral thumbpiece (used to open the box) suggest 1850–1900. The box was made to provide a setting for the earlier porcelain plaque on the cover. Box: Probably Germany Plaque: Meissen, Germany Hard-paste porcelain, enamel colours and gold Museum no. Loan:Gilbert.524-2008(2009)
Credit line
The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London
Object history
Provenance
Acquired by Arthur Gilbert from S.J. Phillips Ltd, London, 1996
Production
The box probably German 1850-1900, the porcelain plaque by Meissen ca. 1750
Subjects depicted
Summary
The simplicity of the goldsmith's work makes the dating of this snuffbox difficult, however the cut and setting of the stones in the floral thumbpiece (used to open the box) suggest that it dates from the second half of the 19th century. The box was made to provide a setting for the earlier porcelain plaque, produced at Meissen around 1750.

Snuffboxes made of porcelain followed the shapes of those made in gold and hardstones. Painted scenes or portraits ornamented the sides, covers and interiors. Changing forms and decoration were important, as these fashion accessories might be chosen to match the season or a particular costume. Most European (though rarely English) porcelain factories made snuffboxes. The largest producer was Meissen in Germany, which manufactured vast quantities of boxes from about 1735-65. A price list of 1765 mentions 11 varieties, the least expensive painted with flowers.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
Bibliographic reference
Truman, Charles.The Gilbert collection of gold boxes, volume II, London: Philip Wilson Publishers Ltd., 1999, cat. no. 34, p. 58. ISBN.0856675210
Other numbers
  • GB 216
  • 1998.18 - The Gilbert Collection, Somerset House
  • GB 215 - Arthur Gilbert Number
  • 1998.17 - The Gilbert Collection, Somerset House
Collection
Accession number
LOAN:GILBERT.524-2008

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Record createdJune 19, 2008
Record URL
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