Snuffbox
ca. 1740 (made)
Artist/Maker | |
Place of origin |
This box brings together portraits of two half-sisters: Lady Selina Dering painted in a blue dress on the cover, and Lady Katherine Guilford painted in a green dress on the inside of the cover. They were the daughters of Sir Robert Furnese, 2nd Baronet of Waldeshare, Kent. Enamel portraits were often commissioned for such a purpose, and it is known that Zincke, the most successful enamel painter of his time, produced other groups of portraits which he linked in boxes like this one.
In the 17th century, new techniques of painting enamels allowed delicate portraits resembling tiny oil paintings to be created. These enamel miniatures were first fashionable in continental Europe, but were particularly in vogue in Britain from the 1720s to 1760s. Enamel portraits performed a wide variety of functions. They were often given as diplomatic gifts or awarded to recognise official service. Some celebrated historical figures, while others commemorated a marriage, or departed loved one. Sitters often commissioned enamel copies alongside an original portrait in oils, in order to have a more intimate and portable version in a robust material. Enamels could also be set into jewellery or extravagant boxes so that they could be worn or carried. Larger enamels were often displayed in elaborate frames.
Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
In the 17th century, new techniques of painting enamels allowed delicate portraits resembling tiny oil paintings to be created. These enamel miniatures were first fashionable in continental Europe, but were particularly in vogue in Britain from the 1720s to 1760s. Enamel portraits performed a wide variety of functions. They were often given as diplomatic gifts or awarded to recognise official service. Some celebrated historical figures, while others commemorated a marriage, or departed loved one. Sitters often commissioned enamel copies alongside an original portrait in oils, in order to have a more intimate and portable version in a robust material. Enamels could also be set into jewellery or extravagant boxes so that they could be worn or carried. Larger enamels were often displayed in elaborate frames.
Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
Object details
Categories | |
Object type | |
Materials and techniques | Chased gold, painted enamel and glass |
Brief description | Cartouche-shaped gold snuffbox, the cover set with an enamel miniature, under glass, of Selina Furnese, later Lady Dering, facing three quarters to the left, wearing a blue dress with white petticoat, within a border chased with shells, scrolls and foliage. The walls are chased with nymphs and putti riding dolphins among reeds, scrolls and shells. The interior of the lid is set with a further enamel miniature of Katherine, Lady Rockingham, later Lady Guilford, facing three quarters to the left, wearing a green dress with white petticoat. |
Physical description | Cartouche-shaped gold snuffbox, the cover set with an enamel miniature, under glass, of Selina Furnese, later Lady Dering, facing three quarters to the left, wearing a blue dress with white petticoat, within a border chased with shells, scrolls and foliage. The walls are chased with nymphs and putti riding dolphins among reeds, scrolls and shells. The interior of the lid is set with a further enamel miniature of Katherine, Lady Rockingham, later Lady Guilford, facing three quarters to the left, wearing a green dress with white petticoat. |
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Style | |
Marks and inscriptions | Mark for gold imported from countries without Customs Conventions with France, June 1, 1893 onwards (On the left bezel) |
Gallery label |
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Credit line | The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London |
Object history | Provenance: Sir Robert Furnese, 2nd Baronet of Waldershare, Kent (probably). Christie's, London, lot 39, 13/07/1994. S. J. Phillips, London. |
Subjects depicted | |
Summary | This box brings together portraits of two half-sisters: Lady Selina Dering painted in a blue dress on the cover, and Lady Katherine Guilford painted in a green dress on the inside of the cover. They were the daughters of Sir Robert Furnese, 2nd Baronet of Waldeshare, Kent. Enamel portraits were often commissioned for such a purpose, and it is known that Zincke, the most successful enamel painter of his time, produced other groups of portraits which he linked in boxes like this one. In the 17th century, new techniques of painting enamels allowed delicate portraits resembling tiny oil paintings to be created. These enamel miniatures were first fashionable in continental Europe, but were particularly in vogue in Britain from the 1720s to 1760s. Enamel portraits performed a wide variety of functions. They were often given as diplomatic gifts or awarded to recognise official service. Some celebrated historical figures, while others commemorated a marriage, or departed loved one. Sitters often commissioned enamel copies alongside an original portrait in oils, in order to have a more intimate and portable version in a robust material. Enamels could also be set into jewellery or extravagant boxes so that they could be worn or carried. Larger enamels were often displayed in elaborate frames. Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996. |
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Other numbers |
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Collection | |
Accession number | LOAN:GILBERT.388-2008 |
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Record created | June 19, 2008 |
Record URL |
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