Snuffbox thumbnail 1
Snuffbox thumbnail 2
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Image of Gallery in South Kensington
Not currently on display at the V&A
On short term loan out for exhibition

Snuffbox

ca. 1760-1765 (made)
Artist/Maker
Place of origin

In England, few porcelain and pottery snuffboxes were made. The Chelsea porcelain factory made small decorative objects, particularly in 1758-69, although the term 'snuffbox' does not appear in surviving documents of the time. This box could also have held small sweetmeats or pills. The mounts were also made in England, possibly Birmingham.

Snuffboxes made out of porcelain followed the shapes of those made in gold and hardstones. Painted scenes or portraits ornamented the sides, covers and interiors. Changing forms and decoration were important, as these fashion accessories might be chosen to match the season or a particular costume. Most European (though rarely English) porcelain factories made snuffboxes. The largest producer was Meissen in Germany, which manufactured vast quantities of boxes from about 1735-65. A price list of 1765 mentions 11 varieties, the cheapest painted with flowers.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.


Object details

Object type
Materials and techniques
Chased and engraved gold with enamelled soft-paste porcelain, carved hardstone and diamond
Brief description
Gold-mounted enamelled porcelain snuffbox; London (Chelsea), ca.1760-65
Physical description
An enamelled, gold-mounted hardstone and soft-paste porcelain box formed as a girl's head, the base of agate mounted in gold. Je te connais beau masque is enamelled around the rim of the base with a scrolling thumbpiece in the front. The mount for the head is chased with scrolls and flowers. The girl's head is painted in enamel colours with red lips, flesh tones, black patches and mask, with diamond set eyes, her hair is in a white cap with a red ribbon border.
Dimensions
  • Length: 4.4cm
  • Width: 5.3cm
  • Height: 5.1cm
Marks and inscriptions
JE TE CONNAIS/ BEAU MASQUE (on rim of lid)
Translation
I know you beautiful mask
Gallery label
  • 17. Box in the shape of a girl’s head 1760–65 In England, few porcelain and pottery snuffboxes were made. The Chelsea porcelain factory made small decorative objects, particularly from 1758 to 1769, although the term ‘snuffbox’ does not appear in surviving documents of the time. This box could also have held small sweetmeats or pills. Box: London (Chelsea), England Mounts: possibly Birmingham, England Soft-paste porcelain, agate, diamond, enamel colours and gold Inscribed in French: ’I know you, beautiful mask’ Museum no. Loan:Gilbert.497-2008(16/11/2016)
  • Box in the shape of a girl’s head, 1760–5. In England, few porcelain and pottery snuffboxes were made. The Chelsea porcelain factory made small decorative objects, particularly from 1758–69, although the term ‘snuffbox’ does not appear in surviving documents of the time. This box could also have held small sweetmeats or pills. Box: London (Chelsea), England Mounts: possibly Birmingham, England Soft-paste porcelain, agate, diamond, enamel colours and gold Inscribed in French: 'I know you, beautiful mask' Museum no. Loan:Gilbert.497-2008(2009)
Credit line
The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London
Object history
Provenance
Acquired by Arthur Gilbert from S.J. Phillips Ltd, London, 1989.

Le Grand Frisson Exhibition RF.2005/788
Subject depicted
Literary references
  • carnival
  • Commedia dell'arte
Summary
In England, few porcelain and pottery snuffboxes were made. The Chelsea porcelain factory made small decorative objects, particularly in 1758-69, although the term 'snuffbox' does not appear in surviving documents of the time. This box could also have held small sweetmeats or pills. The mounts were also made in England, possibly Birmingham.

Snuffboxes made out of porcelain followed the shapes of those made in gold and hardstones. Painted scenes or portraits ornamented the sides, covers and interiors. Changing forms and decoration were important, as these fashion accessories might be chosen to match the season or a particular costume. Most European (though rarely English) porcelain factories made snuffboxes. The largest producer was Meissen in Germany, which manufactured vast quantities of boxes from about 1735-65. A price list of 1765 mentions 11 varieties, the cheapest painted with flowers.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
Bibliographic references
  • Truman, Charles.The Gilbert collection of gold boxes, Vol. I. Los Angeles: Los Angeles County Museum of Art, 1991, cat. no. 103, pp. 302-3. ISBN.0875871623
  • Zech, Heike. 'Goldboxes in the Gilbert Collection at the V & A'. In : Art Antiques London. Catalogue of Art Antiques London, incorporating The International Ceramics Fair & Seminar, 10 June - 16 June 2010. London: Haughton International Fairs, 2010, p.1, ill.
  • Zech, Heike. Gold Boxes. Masterpieces from the Rosalinde and Arthur Gilbert Collection. London: V&A Publishing, 2015, pp. 108-109, no. 37. ISBN 987-1-85177-840-9
  • Scarisbrick, Diana. Le Grand Frisson : 500 years of jewels of sentiment, Paris : Les Editions Textuel, 2008 p.211
Other numbers
  • GB 151 - Arthur Gilbert Number
  • 1996.499 - The Gilbert Collection, Somerset House
Collection
Accession number
LOAN:GILBERT.497-2008

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Record createdJune 19, 2008
Record URL
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