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Snuffbox

1765-70 (made)
Artist/Maker
Place of origin

The high quality of the goldsmith’s work on this box and the lavish use of precious stones indicates that it is part of the group of boxes associated with Frederick II the Great of Prussia.

Frederick was a cultivated admirer of the arts. He maintained a lengthy, although sometimes heated correspondence with the French philosopher Voltaire and was a gifted musician, composer and linguist. He had a passion for gold boxes, and took a keen interest in their design. He even designed some snuffboxes himself and produced designs in collaboration with Jean-Guillaume Krüger (1728-1791), for which twenty blueprints survive. He carried a box at all times, one is even said to have saved his life by deflecting a bullet during the battle of Kunersdorf in 1759.

The body of the box and its lid are made of a single specimen each. Unlike some other examples (see LOAN Gilbert.423– 2008), the jewelled ornament encrusted on the lid of the box has been applied to the edges only so as not to obscure the natural beauty of the stone agate specimen.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.


Object details

Categories
Object type
Materials and techniques
Engraved gold, carved agate, set diamonds, some with foil backing
Brief description
Snuffbox associated with Frederick the Great of Prussia. Agate, gold, diamonds and foil. Berlin, about 1765
Physical description
A cartouche-shaped snuffbox, with a brown agate bodyand lid, the cover bordered by clusters of large diamonds, some over pink and yellow foil.
Dimensions
  • Length: 9.3cm
  • Width: 7.9cm
  • Height: 4.6cm
Gallery label
  • 5. Agate table snuffbox 1765–70 When this box was auctioned in London in 1972, its history was unknown. However, it was clear from the design and quality of materials and manufacture that it belonged Frederick the Great. Diamonds on Frederick’s boxes are often set in gold to enrich the colour of the design, rather than in silver, which would enhance their whiteness. Berlin, Germany Agate, gold, diamonds and foil Possibly owned by Prince Karl von Preussen (1801–83); subsequently in the collection of Charles Engelhard Museum no. Loan:Gilbert.420-2008(16/11/2016)
  • Agate snuffbox 1765–70 When this box was auctioned in London in 1972, it had lost its history. But it was clear from the superbly harmonious design, and the excellence of the materials and manufacture, that it belonged to the group of boxes made for Frederick the Great. In the decoration of his palaces and his boxes, Frederick continued to favour the Rococo style even after it had fallen from fashion in Paris in the early 1760s. Berlin, Germany Agate, gold, diamonds and foil Possibly owned by Prince Karl von Preussen (1801–83); subsequently in the collection of Charles Engelhard Museum no. Loan:Gilbert.420-2008(2009)
Credit line
The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London
Object history
Provenance: Charles Engelhard; sale, Christie's, London, 28 June 1972, lot 41; A. Neuhaus, Würzburg; S.J. Phillips, London, 1984.
Summary
The high quality of the goldsmith’s work on this box and the lavish use of precious stones indicates that it is part of the group of boxes associated with Frederick II the Great of Prussia.

Frederick was a cultivated admirer of the arts. He maintained a lengthy, although sometimes heated correspondence with the French philosopher Voltaire and was a gifted musician, composer and linguist. He had a passion for gold boxes, and took a keen interest in their design. He even designed some snuffboxes himself and produced designs in collaboration with Jean-Guillaume Krüger (1728-1791), for which twenty blueprints survive. He carried a box at all times, one is even said to have saved his life by deflecting a bullet during the battle of Kunersdorf in 1759.

The body of the box and its lid are made of a single specimen each. Unlike some other examples (see LOAN Gilbert.423– 2008), the jewelled ornament encrusted on the lid of the box has been applied to the edges only so as not to obscure the natural beauty of the stone agate specimen.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
Bibliographic references
  • Truman, Charles. The Gilbert collection of gold boxes, Vol. I. Los Angeles (Los Angeles County Museum of Art) 1991, cat. no. 74, pp. 220-1. ISBN.0875871623
  • Schroder, Timothy. Gold boxes : from the Gilbert collection : an exhibition, Los Angeles : Los Angeles County Museum of Art, 1986 32 or 27
  • International Art Treasures Exhibition, Bath : Assembly Rooms, 1973 244
  • The art of the goldsmith & the jeweler; a loan exhibition for the benefit of the Young Women's Christian Association of the City of New York, New York : A La Vieille Russie, 1968 130
  • Alice Minter, The Art of Stone: Masterpieces from the Rosalinde and Arthur Gilbert Collection, with contributions by Sophie Morris and Rosie Mills (London: V&A Publishing, 2023), cat. 21, pp.68-69. ISBN 9781838510411
Other numbers
  • GB 90 - Arthur Gilbert Number
  • 1996.440 - The Gilbert Collection, Somerset House
Collection
Accession number
LOAN:GILBERT.420-2008

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Record createdJune 19, 2008
Record URL
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