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Snuffbox

1852 (made), 1651 (enamelled)
Artist/Maker
Place of origin

Alexandre Leferre, the maker of this box, was one of the most prolific box makers of the 19th century. Probably working with his brother, Jean-Louis, he is first recorded in 1806 and was still active in 1852, when this box was marked. The engraved signature on the bezel shows that it was retailed by the royal goldsmith, Jules Fossin.

The box is set with a miniature by the French enameller Jaques Bordier. Bordier's work with his brother-in-law Jean Petitot had a great influence on subsequent enamellers.The portrait, which dates from around 1651, shows the celebrated Parisian printer Antoine Vitré. Vitré's greatest achievement was a psalter printed both in Latin and Arabic. He was patronized by the Cardinal Richelieu and was appointed printer in oriental languages to Louis XIII and later director of the royal presses.

A letter in the Chaumet archives (the firm who eventually took over Fossin's workshop), indicates that the box was commissioned by the Russian prince Anatole Demidoff. Demidoff was a passionate collector, his fortunes based on the family's mining interests in Russia. Demidoff approved the scheme put forward by Fossin to create a box to fit this 17th century miniature.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world’s great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.


Object details

Categories
Object type
Materials and techniques
Chased, engine-turned and enamelled gold and enamel miniature
Brief description
Enamelled gold snuffbox, the cover set with an enamel miniature. Box: Alexandre Leferre for Jules Fossin, Paris, 1852; Miniature: Jacques Bordier, probably 1651
Physical description
An octagonal, enamelled gold snuffbox, with ten panels painted with a profusion of pansies in a geometric pattern, the cover set with an enamel miniature. The enamel miniature shows the printer Antoine Vitré turned in three-quarter profile with long grey hair wearing a midnight blue robe against a grey background.
Dimensions
  • Width: 8.8cm
  • Height: 7.8cm
  • Depth: 4.2cm
Measured 29/01/24 IW
Marks and inscriptions
  • Restricted warranty mark for gold, Paris, May 10, 1838 onward (On the right side of the lid)
  • Inscribed 'JB / 165-' [last digit hidden] (On the lower right of the miniature)
  • Mark of Alexander Leferre, goldsmith registered in Paris before 1806-about 1860 (In the lid, on the base, and on the right side of the bezel)
  • Engraved 'Fossin' (On the left side of the bezel)
  • Third standard mark for gold, France, May 10, 1838-June 30, 1919 (In the lid, on the base, and on the right side of the bezel)
Gallery label
  • 1. Snuffbox with printer Antoine Vitré Miniature, probably 1651. Box, 1852 Bordier’s work with his brother-in-law Jean Petitot had a great influence on subsequent enamellers. Two centuries later, Prince Anatole Demidoff commissioned this extravagant box as a setting for this rare signed example of Bordier’s work. Miniature: Blois, France; Jacques Bordier (1616–84), after Philippe de Champaigne (1602–74) Box: Paris, France; Alexandre Leferre (active 1806–52) for Jules Fossin (1808–69) Enamel on metal set in gold and enamel box Museum no. Loan:Gilbert.459-2008(16/11/2016)
  • Snuffbox with printer Antoine Vitré Miniature: probably 1651. Box: 1852 Bordier’s work with his brother-in-law Jean Petitot had a great influence on subsequent enamellers. Two centuries later, Prince Anatole Demidoff commissioned this extravagant box as a setting for this rare, signed example of Bordier’s work. Miniature: Blois, France; Jacques Bordier (1616–84), after Philippe de Champaigne (1602–74) Box: Paris, France; Alexandre Leferre (active 1806–52) for Jules Fossin (1808–69) Enamel on metal set in gold and enamel box Museum no. Loan:Gilbert.459-2008(2009)
Credit line
The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London
Object history
Provenance: (The miniature only) Godefroy Collection, sale Paris, 1791. (The miniature only) The Baron Roger, probably sale, Paris, April 17, 1844. (The miniature only) Prince Anatole Demidoff, by 1852. (The Box only) Prince Anatole Demidoff, from 1852. (The Box only) Prince Paul Demidoff, sale, Palais de San Donato, Paris, lot 638, March 15-April 10, 1880. By family tradition, Cornelius Vanderbilt II. Countess Laszlo Szechenyi, neé Gladys Moore Vanderbilt. Mrs A. Talbot Peterson, neé Countess Szechenyi. Sotheby's, Geneva, lot 197, May 17, 1984. S. J. Phillips, London, 1984.

Historical significance: Signed examples of Bordier's work are rare.
Production
Alexandre Leferre for Jules Fossin. The miniature by Jacques Bordier, probably 1651, after Philippe de Champaigne.
Subjects depicted
Summary
Alexandre Leferre, the maker of this box, was one of the most prolific box makers of the 19th century. Probably working with his brother, Jean-Louis, he is first recorded in 1806 and was still active in 1852, when this box was marked. The engraved signature on the bezel shows that it was retailed by the royal goldsmith, Jules Fossin.

The box is set with a miniature by the French enameller Jaques Bordier. Bordier's work with his brother-in-law Jean Petitot had a great influence on subsequent enamellers.The portrait, which dates from around 1651, shows the celebrated Parisian printer Antoine Vitré. Vitré's greatest achievement was a psalter printed both in Latin and Arabic. He was patronized by the Cardinal Richelieu and was appointed printer in oriental languages to Louis XIII and later director of the royal presses.

A letter in the Chaumet archives (the firm who eventually took over Fossin's workshop), indicates that the box was commissioned by the Russian prince Anatole Demidoff. Demidoff was a passionate collector, his fortunes based on the family's mining interests in Russia. Demidoff approved the scheme put forward by Fossin to create a box to fit this 17th century miniature.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world’s great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
Bibliographic references
  • Schidlof, Leo R. The Miniature in Europe in the 16th, 17th, 18th and 19th centuries, Vol. I. Graz: Akademische Druck-u. Verlangsanstalt, 1964, p. 96.
  • Truman, Charles.The Gilbert collection of gold boxes, Vol. I. Los Angeles (Los Angeles County Museum of Art) 1991, cat. no. 52, pp. 158-60. ISBN.0875871623
  • Schroder, Timothy, ed. The Gilbert Collection at the V&A. London (V&A Publishing) 2009, pl. 74, p. 93. ISBN9781851775934
  • Coffin, Sarah and Bodo Hofstetter. Portrait Miniatures in Enamel. London: Philip Wilson Publishers Ltd. in association with the Gilbert Collection, 2000. 168 p., ill. Cat. no. 18, p. 66-67. ISBN 0856675334.
  • Schroder, Timothy. Gold boxes : from the Gilbert collection : an exhibition, Los Angeles : Los Angeles County Museum of Art, 1986 74 or 27
Other numbers
  • GB 86 - Arthur Gilbert Number
  • 1996.437 - The Gilbert Collection, Somerset House
Collection
Accession number
LOAN:GILBERT.459-2008

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Record createdJune 19, 2008
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