Plaque
ca. 1830 (made)
Artist/Maker | |
Place of origin |
The design on this micromosaic plaque is a popular scene known as the Capitoline Doves, or doves of Pliny. The image, inspired by a mosaic uncovered in 1737 at Hadrian's villa near Tivoli, became an iconic motif of Roman micromosaics and was reproduced in innumerable versions and formats, of which Arthur Gilbert acquired no less than sevent different versions.
The term 'micromosaic' is used to describe mosaics made of the smallest glass pieces. Some micromosaics contain more than 5000 pieces per square inch. The earliest attempts at micromosaic revealed visible joins between the pieces (known as tesserae ) and a lack of perspective. Later artists such as Antonio Aguatti made huge advances in micromosaic technique, resulting in renderings that were truer to life. Glass micromosaic technique developed in the 18th century, in the Vatican Mosaic Workshop in Rome, where they still undertake restoration work today.
Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
The term 'micromosaic' is used to describe mosaics made of the smallest glass pieces. Some micromosaics contain more than 5000 pieces per square inch. The earliest attempts at micromosaic revealed visible joins between the pieces (known as tesserae ) and a lack of perspective. Later artists such as Antonio Aguatti made huge advances in micromosaic technique, resulting in renderings that were truer to life. Glass micromosaic technique developed in the 18th century, in the Vatican Mosaic Workshop in Rome, where they still undertake restoration work today.
Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
Object details
Categories | |
Object type | |
Materials and techniques | Micromosaic, gold |
Brief description | Plaque, micromosaic doves of Pliny, Rome, 1830. |
Physical description | Rectangular micromosaic plaque showing the Capitoline doves - four brown, grey and white doves perched in various poses on the rim of a round gold basin of water that rests on four feet on a square plinth. The background is black. |
Dimensions |
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Credit line | The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London |
Object history | Provenance Acquired by Arthur Gilbert from S.J. Phillips Ltd, London, 1971 |
Subjects depicted | |
Summary | The design on this micromosaic plaque is a popular scene known as the Capitoline Doves, or doves of Pliny. The image, inspired by a mosaic uncovered in 1737 at Hadrian's villa near Tivoli, became an iconic motif of Roman micromosaics and was reproduced in innumerable versions and formats, of which Arthur Gilbert acquired no less than sevent different versions. The term 'micromosaic' is used to describe mosaics made of the smallest glass pieces. Some micromosaics contain more than 5000 pieces per square inch. The earliest attempts at micromosaic revealed visible joins between the pieces (known as tesserae ) and a lack of perspective. Later artists such as Antonio Aguatti made huge advances in micromosaic technique, resulting in renderings that were truer to life. Glass micromosaic technique developed in the 18th century, in the Vatican Mosaic Workshop in Rome, where they still undertake restoration work today. Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996. |
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Other numbers |
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Collection | |
Accession number | LOAN:GILBERT.195-2008 |
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Record created | June 19, 2008 |
Record URL |
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