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Tankard

1685-1686 (hallmarked)
Artist/Maker
Place of origin

The size of this tankard suggests that it was used for display rather than for use. The chinoiserie (stylised chinese scenes) which decorates this tankard was highly fashionable in 17th-century Europe.

Outside the wealthiest court circles, 17th-century silver was used primarily for eating and drinking. The dining table was the heart of social activity, and novelty items were made for fashionable new drinks flavoured with spices and drinking games. The range of British silver for the home from this period (the first for which a representative quantity survives) demonstrates increasing foreign influences from France, the Netherlands and Portugal. The rising demand for fashionably decorated European silver from the 1660s onwards reflects Britain's new wealth and political stability.

Sir Arthur and Rosalinde Gilbert began collecting in the 1960s and over a period of 40 years formed one of the world’s great private collections of decorative arts. The collection consists of over 800 objects from the fields of European gold and silver, Italian mosaics and hardstone, portrait enamels and gold boxes. Sir Arthur Gilbert donated his extraordinary collection to Britain in 1996 to be housed at Somerset House, London, having previously been displayed at Los Angeles County Museum of Art (LACMA). In 2008 the collection was moved to dedicated galleries in the V&A, where a selection has been on permanent display ever since.


Object details

Categories
Object type
Materials and techniques
Engraved silver
Brief description
Silver tankard with chinoiserie figures; London, John Richardson, 1685-1686
Physical description
Silver circular tankard of tapering cylindrical form with moulded base mount and moulded rim wire, single step cover with edge scalloped rectangular lower terminal, with a scroll handle. Chased overall with chinoiserie figures. The engraved lozenge arms of the Weekes family of Hurstpierpoint, Sussex is a later addition, dating from the mid-eighteenth century.
Dimensions
  • Height: 21.3cm
  • Width: 23cm
  • Diameter: 15.2cm
Measured by Issy Warnham 20/12/23
Style
Marks and inscriptions
  • Engraved with the arms of the Weekes family of Hurstpierpoint, Sussex, impaling another.
  • London hallmarks for 1685-86
  • maker's mark R in script
  • Mark of John Richardson
Gallery label
(Gallery 70, case 4) 10. Tankard 1685–86 London, England; John Richardson (died 1697–98) Silver Engraved with coat of arms of the Weekes family of Hurstpierpoint, Sussex Museum no. Loan:Gilbert.611-2008(16/11/2016)
Credit line
The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London
Object history
The engraved coat of arms is of Weekes of Hurstpierpoint, Sussex impaling another, and dates from the mid-eighteenth century.
Production
Maker's mark R
Summary
The size of this tankard suggests that it was used for display rather than for use. The chinoiserie (stylised chinese scenes) which decorates this tankard was highly fashionable in 17th-century Europe.

Outside the wealthiest court circles, 17th-century silver was used primarily for eating and drinking. The dining table was the heart of social activity, and novelty items were made for fashionable new drinks flavoured with spices and drinking games. The range of British silver for the home from this period (the first for which a representative quantity survives) demonstrates increasing foreign influences from France, the Netherlands and Portugal. The rising demand for fashionably decorated European silver from the 1660s onwards reflects Britain's new wealth and political stability.

Sir Arthur and Rosalinde Gilbert began collecting in the 1960s and over a period of 40 years formed one of the world’s great private collections of decorative arts. The collection consists of over 800 objects from the fields of European gold and silver, Italian mosaics and hardstone, portrait enamels and gold boxes. Sir Arthur Gilbert donated his extraordinary collection to Britain in 1996 to be housed at Somerset House, London, having previously been displayed at Los Angeles County Museum of Art (LACMA). In 2008 the collection was moved to dedicated galleries in the V&A, where a selection has been on permanent display ever since.
Bibliographic references
  • Schroder, Timothy B. The Gilbert collection of gold and silver: recent acquisitions. Los Angeles: Los Angeles County Museum of Art, 1988, cat. no. G
  • Davidson, Cathlyn and Simon. John and Samuel Richardson: Seventeenth century goldsmiths, their marks and work.Silver Studies. The Journal of the Silver Society. No. 26, 2010, pp. 5-16. Ill., p. 11.
Other numbers
  • SG 237 - Arthur Gilbert Number
  • 1996.130 - The Gilbert Collection, Somerset House
  • SG 122B - Arthur Gilbert Number
  • 1996.907 - The Gilbert Collection, Somerset House
Collection
Accession number
LOAN:GILBERT.611-2008

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Record createdJune 19, 2008
Record URL
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