Necklace
ca. 1990 (made)
Artist/Maker | |
Place of origin |
Traditionally colour is introduced to jewellery through enamels or gemstones. In the late 20th century, however, the search for a 'new language' in jewellery led to new techniques and with them, other ways of exploring colour.
Silver could be oxidised to appear black, or chemically treated to be white. Modern colours could be achieved through traditional enamels applied in a painterly fashion, by using stained wood or oriental lacquers. Metals with varying patinas could be mixed to form contrasting visual effects. Resins and synthetics also offer visual and expressive power.
Joan Parcher has been fascinated by jewellery from childhood when she discovered the possibilities of wire. Her designs often pre-date the piece – her ideas led by materials and their characteristics. Her love of enamels leads her to seek samples from England, Japan and even vintage examples from America. Parcher’s designs are based on simple geometric shapes, which in their application form complex designs.
Silver could be oxidised to appear black, or chemically treated to be white. Modern colours could be achieved through traditional enamels applied in a painterly fashion, by using stained wood or oriental lacquers. Metals with varying patinas could be mixed to form contrasting visual effects. Resins and synthetics also offer visual and expressive power.
Joan Parcher has been fascinated by jewellery from childhood when she discovered the possibilities of wire. Her designs often pre-date the piece – her ideas led by materials and their characteristics. Her love of enamels leads her to seek samples from England, Japan and even vintage examples from America. Parcher’s designs are based on simple geometric shapes, which in their application form complex designs.
Object details
Categories | |
Object type | |
Materials and techniques | Oxidised silver chain with multi-coloured enamel discs |
Brief description | Necklace of multi-coloured enamelled discs designed and made by Joan Parcher, Rhode Island, USA, about 1990. |
Dimensions |
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Credit line | Given by the American Friends of the V&A through the generosity of Patricia Goldstein |
Summary | Traditionally colour is introduced to jewellery through enamels or gemstones. In the late 20th century, however, the search for a 'new language' in jewellery led to new techniques and with them, other ways of exploring colour. Silver could be oxidised to appear black, or chemically treated to be white. Modern colours could be achieved through traditional enamels applied in a painterly fashion, by using stained wood or oriental lacquers. Metals with varying patinas could be mixed to form contrasting visual effects. Resins and synthetics also offer visual and expressive power. Joan Parcher has been fascinated by jewellery from childhood when she discovered the possibilities of wire. Her designs often pre-date the piece – her ideas led by materials and their characteristics. Her love of enamels leads her to seek samples from England, Japan and even vintage examples from America. Parcher’s designs are based on simple geometric shapes, which in their application form complex designs. |
Other numbers |
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Collection | |
Accession number | M.149-2007 |
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Record created | May 15, 2008 |
Record URL |
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