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Girdle

early 18th century (made)
Artist/Maker
Place of origin

This decorative sash (patka) would have been worn by a man around the waist of a long robe. The ends are designed to be seen hanging down at the side of the robe. This sash has end borders with a row of finely drawn and dyed tulips, which are outlined with silver-gilt thread embroidery. The mordant-dyeing technique used on the sash suggests an origin in the Deccan or South-east India.

Object details

Categories
Object type
Materials and techniques
Embroidered cotton in silver-gilt thread, block-printed, stencilled, painted, dyed
Brief description
Ceremonial girdle (patka) of embroidered cotton, Deccan, early 18th century.
Physical description
Ceremonial girdle (patka) consisting of a fine cotton sash of undyed cotton with a row of stencilled and dyed tulips at each end. The tulips are outlined in embroidered silver-gilt thread. Wood-block printed in black outline and drawn over and painted by hand.

Ornamented at each end and along the sides. The design at each end is the same - eight-tulip-plants bearing two red flowers and a bud and four carving leaves. Above and below these plants and down the sides is a narrow band of undulating stems bearing tulips and clusters of three leaves. Stamped on the field are three seals.
Dimensions
  • Width: 79cm
  • Length: 330cm
  • Length: 128in
  • Width: 31in
Measurements taken from Indian Heritage catalogue (no.277)
Styles
Gallery label
(Nehru Gallery, 2001)
SASH (patka): Cotton, stencilled, painted dyed and embroidered with silver-gilt wire
Object history
Purchased for £15 from Imre Schwaiger, 1927.
Production
Probably Burhanpur or Golconda, from the Hydrabad toshkhana.
Summary
This decorative sash (patka) would have been worn by a man around the waist of a long robe. The ends are designed to be seen hanging down at the side of the robe. This sash has end borders with a row of finely drawn and dyed tulips, which are outlined with silver-gilt thread embroidery. The mordant-dyeing technique used on the sash suggests an origin in the Deccan or South-east India.
Bibliographic references
  • Skelton, Robert, et al, The Indian Heritage. Court life and Arts under Mughal Rule London: The Victoria and Albert Museum, 1982 p. 100, cat. no. 277, Veronica Murphy
  • The art of India and Pakistan, a commemorative catalogue of the exhibition held at the Royal Academy of Arts, London, 1947-8. Edited by Sir Leigh Ashton. London: Faber and Faber, [1950] p. 215, cat. no. 1027, pl. 68 (above)
  • Irwin; John, Indian Embroidery (large picture book, no. 7) London: H. M. Stationery Office, Victoria & Albert Museum, 1951 pl. 4
  • Irwin; John, Indian Embroidery (large picture book, no. 7) London: H. M. Stationery Office, Victoria & Albert Museum, 1951 pl. 4
Collection
Accession number
IM.70-1927

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Record createdMay 15, 2008
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