Pastry Slice
1994 (made)
Artist/Maker | |
Place of origin |
This server is a freely formed version of the infrequent, small, mid eighteenth century pastry trowel. The style is a very personal one. It draws from the patterns and images of growth, life and death that the artist sees in nature. It is itself almost like a "found object"; a natural specimen that holds all the surprise of a glinting rock embedded in a stratum. Helen Shirk has boldly exploited the extensive range of texture effects that are possible in silver.
Object details
Categories | |
Object type | |
Materials and techniques | Silver and 14 carat gold, hammered |
Brief description | Silver and 14 carat gold, USA, LaMesa, California, 1994, designed and made by Helen Shirk |
Physical description | The server has a narrow triangular blade made up of several long irregular strips running most of the length of the blade and overlapped double in most places. The surface is further embellished by laid-on, irregular, narrow gold strips. The handle is constituted of five strips, all of convex form so as to make an irregularly rounded hollow handle of roughly oval cross section. The surface is decorated on top of the blade and both sides of the handle by a scored, engraved effect that was achieved by irregular hammer blows with a sharply scored hammer face and which gives the surface a bright cut, crystalline appearance. The server proves to be quite functional for both cake and pastry. |
Dimensions |
|
Marks and inscriptions | Inscribed: H.SHIRK STERLING 14K |
Gallery label |
|
Credit line | Given by the American Friends of the V&A through the generosity of Professor B. Seymour Rabinovitch |
Historical context | Part of a collection of fish slices commissioned by Professor Rabinovitch from contemporary North American and British makers. |
Summary | This server is a freely formed version of the infrequent, small, mid eighteenth century pastry trowel. The style is a very personal one. It draws from the patterns and images of growth, life and death that the artist sees in nature. It is itself almost like a "found object"; a natural specimen that holds all the surprise of a glinting rock embedded in a stratum. Helen Shirk has boldly exploited the extensive range of texture effects that are possible in silver. |
Bibliographic reference | Benton Seymour Rabinovitch and Helen Clifford, Contemporary Silver, commissioning designing collecting, London, Merrell, pp.146-7. ill. ISBN.1858941040 |
Other number | LOAN:AMERICANFRIENDS.145-2005 - previous loan number |
Collection | |
Accession number | M.118-2008 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | May 13, 2008 |
Record URL |
Download as: JSON