Francis I thumbnail 1
Francis I thumbnail 2
Not currently on display at the V&A

Francis I

Medal
before 1538 (made)
Artist/Maker
Place of origin

This is a bronze medal made by Benvenuto Cellini, struck in France before 1538. The obverse of this medal represents Francis I, the King of France, wearing laurel wreath, in field left a sceptre with lily finial. The reverse shows a mounted warrior to right, striking at the fallen figure of Fortune. Both obverse and reverse have the pearled borders. The Cellini medal was used by Titian as the portrait source for the painting commissioned by Aretino and given to the King in 1539.

Benvenuto Cellini (1500-1571) was trained as a goldsmith in Florence. He developed great skill and originality in his techniques. He lived a dramatic but vibrant life which is documented in his autobiography (unfinished, but published in 1728). This book was translated by many writers, one of them Goethe and was the basis for Berlioz' opera 'Benvenuto Cellini' (1837). As a sculptor he has a Mannerist style, which is elaborate, elegant and precious. He stands for the tragic yet roamantic artist.


Object details

Category
Object type
TitleFrancis I (generic title)
Materials and techniques
Bronze
Brief description
Medal, Francis I./warrior striking at Fortune, by Benvenuto Cellini, Italy or France, before 1538
Dimensions
  • Diameter: 4.12cm
Object history
Bought from the Soulages Collection in 1865 for £3.
Subjects depicted
Summary
This is a bronze medal made by Benvenuto Cellini, struck in France before 1538. The obverse of this medal represents Francis I, the King of France, wearing laurel wreath, in field left a sceptre with lily finial. The reverse shows a mounted warrior to right, striking at the fallen figure of Fortune. Both obverse and reverse have the pearled borders. The Cellini medal was used by Titian as the portrait source for the painting commissioned by Aretino and given to the King in 1539.

Benvenuto Cellini (1500-1571) was trained as a goldsmith in Florence. He developed great skill and originality in his techniques. He lived a dramatic but vibrant life which is documented in his autobiography (unfinished, but published in 1728). This book was translated by many writers, one of them Goethe and was the basis for Berlioz' opera 'Benvenuto Cellini' (1837). As a sculptor he has a Mannerist style, which is elaborate, elegant and precious. He stands for the tragic yet roamantic artist.
Bibliographic references
  • Inventory of Art Objects acquired in the Year 1865. Inventory of the Objects in the Art Division of the Museum at South Kensington, arranged According to the Dates of their Acquisition. Vol. 1. London : Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 38
  • Robinson, John Charles. Catalogue of the Soulages Collection. London: Chapman & Hall, 1856, p. 144
  • [Handlist entry] The Medal, Mirror of History. Exhibition held British Museum, 1979
  • Cf. Pollard, John Graham. Italian Renaissance Medals in the Museo Nazionale of Bargello. Florence: Museo Nazionale del Bargello, 1985, vol. II., pp. 679-680
Collection
Accession number
683-1865

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Record createdMay 6, 2008
Record URL
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