Not currently on display at the V&A

Poster

1923 (printed)
Artist/Maker
Place of origin

Les Rouges et Noirs was formed by members of the British army serving in France during the First World War in response to a call from Lord Horne, Commander of the First Army, in 1917, for a touring concert party from among his troops. So-called because of the regimental colours of the First Army, the troupe entertained fellow soldiers in the trenches of France and Belgium. Not wanting an all-male revue, the troupe included a chorus of women played by soldiers, but the genuinely feminine appearance of the 'Beauty Chorus' meant that it did not come across as a drag show, but as a heterosexual concert party with an intriguing element. The revue title Splinters was chosen to describe the various sketches, songs and dances which made up their programme.

In December 1918 Les Rouges et Noirs was called by the War Office to appear in London and played a three-day engagement at the Canadian YMCA's Beaver Hut Theatre in London's Strand, followed by a Command Performance at Windsor Castle for George V and Queen Mary. The troupe returned to France in 1919, and after hostilities ended appeared in London's West End in June and August 1919 and toured new versions of the revue commercially throughout the British Isles until 1924.


Object details

Categories
Object type
Materials and techniques
Printed paper
Brief description
Poster advertising the Revue Splinters of 1923 presented by Les Rouges et Noirs, The First Army Show, at the Holborn Empire, for the week beginning the 17th December 1923. Printed by John Waddington Ltd., Stoke Newington, 1923.
Physical description
Typographic poster printed in red and blue letterpress on cream paper, advertising the revue Splinters of 1923 performed by The First Army Show Les Rouges at Noirs, Holborn Empire, week beginning Monday 17th December 1923. SPLINTERS OF 1923; HAL JONES and REG STONE in red uppercase lettering, with blue lettering for the other information, including: 'LEW LAKE presents THE FIRST ARMY SHOW KNOWN AS LES ROUGES ET NOIRS' 'An Entirely New Revusical Production From the Queen's Theatre, W.' The edges have suffered a few tears and areas of paper loss, especially along the top and bottom edges.

The poster features the name of the managing director of the theatre Charles Gulliver, and the names of the cast in blue typeface - the men Eliot Makeham, Will B. Willby, Will Burns, Cecil Griffin, Harry Watson, C. Gordon Blackford, Victor Campbell, Jack Cottrell, Ernie Barrett, Alfred Grant, and the '? ladies' Vivian Taylor, Jack Hives, Jack Richards, Willie Gunn, Frederick Finch, Ernest Greene, Monte Burgess, Henry Harper, Stanley Bennett. The musical director was C. Gordon Blackford.

At the bottom of the poster the next production Where The Rainbow Ends is announced, produced by Italia Conti.
Dimensions
  • Height: 50.6cm
  • Width: 30.8cm
Marks and inscriptions
Transliteration
Credit line
Given by Mrs D.K. Richards
Association
Summary
Les Rouges et Noirs was formed by members of the British army serving in France during the First World War in response to a call from Lord Horne, Commander of the First Army, in 1917, for a touring concert party from among his troops. So-called because of the regimental colours of the First Army, the troupe entertained fellow soldiers in the trenches of France and Belgium. Not wanting an all-male revue, the troupe included a chorus of women played by soldiers, but the genuinely feminine appearance of the 'Beauty Chorus' meant that it did not come across as a drag show, but as a heterosexual concert party with an intriguing element. The revue title Splinters was chosen to describe the various sketches, songs and dances which made up their programme.

In December 1918 Les Rouges et Noirs was called by the War Office to appear in London and played a three-day engagement at the Canadian YMCA's Beaver Hut Theatre in London's Strand, followed by a Command Performance at Windsor Castle for George V and Queen Mary. The troupe returned to France in 1919, and after hostilities ended appeared in London's West End in June and August 1919 and toured new versions of the revue commercially throughout the British Isles until 1924.
Associated objects
Collection
Accession number
S.88-2008

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Record createdMay 2, 2008
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