Cupid playing on a frageolet thumbnail 1
Not currently on display at the V&A

Cupid playing on a frageolet

Statuette
early 17th century (made)
Artist/Maker
Place of origin

This is a bronze gilt statuette made in the early 17th century in Italy. The statuette represents a Cupid playing on a flageolet and was originally part of the mounts or metal enrichments of a piece of furniture.
This statuette belongs to a group of putti, seven of which are in the V&A collection, mostly holding flutes, harps, tambourines and violins in their hands. They are generally attributed to Nicolò Roccatagliata (active about 1593-1636), although similar pieces were also produced in the workshops of Giuseppe de Levis and Andrea di Alessandro del Brescianino. However, the excellent quality of the cast and gilding, as well as the delicately chiselled drapery, hair and wings, allow us to ascribe them to the studio of Roccatagliata. The majority of these small bronzes were probably made to decorate chairs, wardrobes and other pieces of furniture, as embellishments of this type were extremely popular at the end of the sixteenth century.


Object details

Categories
Object type
TitleCupid playing on a frageolet (generic title)
Materials and techniques
bronze gilt
Brief description
Statuette, gilt bronze, Cupid playing a flageolet, ascribed to Nicolò Roccatagliata, Italy, early 17th century
Physical description
A Cupid playing on a flageolet.
Dimensions
  • Height: 15.24cm
  • Width: 8.25cm
Object history
Bought from the Soulages Collection for 16s. 8d. in 1865.
Subjects depicted
Summary
This is a bronze gilt statuette made in the early 17th century in Italy. The statuette represents a Cupid playing on a flageolet and was originally part of the mounts or metal enrichments of a piece of furniture.
This statuette belongs to a group of putti, seven of which are in the V&A collection, mostly holding flutes, harps, tambourines and violins in their hands. They are generally attributed to Nicolò Roccatagliata (active about 1593-1636), although similar pieces were also produced in the workshops of Giuseppe de Levis and Andrea di Alessandro del Brescianino. However, the excellent quality of the cast and gilding, as well as the delicately chiselled drapery, hair and wings, allow us to ascribe them to the studio of Roccatagliata. The majority of these small bronzes were probably made to decorate chairs, wardrobes and other pieces of furniture, as embellishments of this type were extremely popular at the end of the sixteenth century.
Bibliographic references
  • Inventory of Art Objects acquired in the Year 1865. Inventory of the Objects in the Art Division of the Museum at South Kensington, arranged According to the Dates of their Acquisition. Vol. 1. London : Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 57
  • Robinson, John Charles. Catalogue of the Soulages Collection. London: Chapman & Hall, 1856, p. 120
  • Binnebeke, Emile van.Bronze sculpture : sculpture from 1500-1800 in the collection of the Boymans-van Beuningen Museum. Rotterdam : Het Museum, 1994, pp. 74-75, cat. no. 14
Collection
Accession number
605-1865

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Record createdApril 29, 2008
Record URL
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