Crate
Drawing
1971 (made)
1971 (made)
| Artist/Maker | |
| Place of origin |
Williams is a well known British sculptor. This drawing is one of a group acquired by the museum in 1974, as studies for prints. The images suggest Williams' then interest in spatial illusion, created by reflection, which also appears in his sculpture of the time. The work has a witty edge and the surrealist imagery of Magritte, and the work of M.C.Escher, whose impossible and fantastical constructions play on quirks of perception, may also have been an influence at this time.
Object details
| Category | |
| Object type | |
| Title | Crate (generic title) |
| Materials and techniques | Ink and felt tip pen over pencil on paper |
| Brief description | Drawing, Glynn Williams: Drawing: 'Crate' 1971 |
| Physical description | A mirror, diagonal to the picture plane, divides the space of the image in two. In the foreground, is a wooden crate. It's reflection in the mirror is not quite as one might expect it to be: it not only reveals the crate to be merely a façade, but the lid, and right side of the crate, seen in the 'real' crate, are missing in the reflection. |
| Dimensions |
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| Marks and inscriptions | Glynn Williams /71 (inscribed in pencil with signature and date) |
| Subjects depicted | |
| Summary | Williams is a well known British sculptor. This drawing is one of a group acquired by the museum in 1974, as studies for prints. The images suggest Williams' then interest in spatial illusion, created by reflection, which also appears in his sculpture of the time. The work has a witty edge and the surrealist imagery of Magritte, and the work of M.C.Escher, whose impossible and fantastical constructions play on quirks of perception, may also have been an influence at this time. |
| Bibliographic reference | Taken from Departmental Circulation Register 1974 |
| Collection | |
| Accession number | CIRC.87-1974 |
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| Record created | April 25, 2008 |
| Record URL |
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