- Image reference 2006AC7165
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Valance
- Place of origin:
England (possibly, made)
France (possibly, made) - Date:
late 16th century (made)
- Artist/Maker:
Unknown
- Materials and Techniques:
Linen canvas, embroidered with wool and silk
- Credit Line:
Bequeathed by Miss Maud Ochs
- Museum number:
T.136-1991
- Gallery location:
In store
Valances were the borders or bands that ran around the two sides and end of an Elizabethan bed, hiding the rail or place from which the bed curtains were suspended. They formed a frieze that was particularly suitable for embroidery with figure subjects, often featuring a narrative to provide interest and entertainment. Sets of bed hangings were ‘multi-purpose’ and they also created a draught-free and private sleeping compartment.
The style and workmanship of this valance suggests that it was made in a professional workshop either in France itself or under strong French influence. Mary Queen of Scots, who was brought up in France, introduced French influence into Scotland and England in the 16th century. The setting is an ornamental garden and most of the figures wear rich contemporary court costume. The main subject is a pair of seated lovers. They are attended by two females, one holding a mirror and possibly intended to represent prudence, the other holding a small dog, possibly intended to represent fidelity. One woman reads a partially legible French inscription, and a small black boy holds up a music score for the musicians on the right of the scene.
