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Waistcoat

  • Place of origin:

    England (made)

  • Date:

    1600-25 (made)

  • Artist/Maker:

    Unknown

  • Materials and Techniques:

    Linen, embroidered with silk and metal thread, and spangles

  • Museum number:

    1359-1900

  • Gallery location:

    Temporary Exhibition, Room 40, case x14

Stylised red and white roses were the central symbol of the 16th century Tudor dynasty. Columbine flower was sometimes seen to signify sorrow. By the early 17th century however, it is uncertain whether such decoration would have had a specific symbolic purpose. It is more likely that the rose and columbine on this jacket, together with the other flowers, are part of the commonplace fashionable floral motifs of the time, when botanical picture books were popular and used frequently as design inspiration. The botanical features include honeysuckle,pansies, carnations, foxgloves, borage, strawberries, cornflowers, rosehips, thistles, columbine and vineleaves. There are also pea-pods which include small silver-gilt thread peas, around all of which there are small birds, bees and worms.

Silver-gilt thread scrolls around the design, and along with small metal spangles (the 17th century term for sequins), would have caught the light, adding to the beautiful detail of this jacket.

Physical description

Embroidered in silk and silver-gilt thread on linen, mainly in chain and plaited braid stitches, with buttonholing. The waistcoatt is decorated with circular coiling stems in gold terminating in a variety of flowers, with occasional birds, caterpillars and butterflies on the stems.

Place of Origin

England (made)

Date

1600-25 (made)

Artist/maker

Unknown

Materials and Techniques

Linen, embroidered with silk and metal thread, and spangles

Dimensions

Height: 68 cm, Width: 126 cm unmounted

Historical context note

Elaborately embroidered waistcoats (so-called because they were fitted to the waist) were worn as part of informal dress by aristocratic women in the early 17th century, together with decorative petticoats and loose gowns. Waistcoats were also part of the 'masque costume' worn by women for amateur theatricals. The neckline of this waistcoat may have been altered later for this purpose; the fashionable genre of 'masque portraits' shows young women in low-cut waistcoats, draped in a decorative mantle, with their hair unbound. The design of roses, honeysuckle, columbine, carnations and lilies is typical of floral embroidery of this period, seen on similar waistcoats and illustrated in pattern books for embroiderers.

Descriptive line

A woman's waistcoat of embroidered linen, 1620c, English; Coloured silks metal flowers birds natural ground

Bibliographic References (Citation, Note/Abstract, NAL no)

John Lea Nevinson, Catalogue of English Domestic Embroidery of the Sixteenth & Seventeenth Centuries, Victoria and Albert Museum, Department of Textiles, London: HMSO, 1938, p.78
Avril Hart and Susan North, Historical Fashion in Detail: the 17th and 18th centuries, V&A Publications, 1998, p.148 & 149

Labels and date

Treasures of the Royal Courts: Tudors, Stuarts and the Russian Tsars label text:

Woman’s jacket
1610–20

The clothing of aristocratic and royal women was decorated with embroidery. Female courtiers wore a linen jacket like this one when dressing informally. Lavishly embroidered with precious metal thread, it demonstrates the wealth of its wearer, and also celebrates the natural world.

England
Linen, embroidered with silk and metal thread and spangles
V&A 1359-1900 []

Materials

Linen; Silk; Gold thread

Techniques

Embroidering

Subjects depicted

Bees; Birds; Flowers; Plants

Categories

Embroidery; Fashion; Clothing; Europeana Fashion Project

Collection

Textiles and Fashion Collection

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