Image of Gallery in South Kensington
On display at V&A South Kensington
South Asia Gallery, Room 41

Ewer

mid 17th century (made)
Artist/Maker
Place of origin

This ewer was made in the Deccan region of India in the mid-17th century and belongs to a class of metalwares known as "bidri". Bidri is a technique known only in the Indian subcontinent, and takes its name from the city of Bidar, in the present-day state of Karnatika, where it is thought to have originated. Surviving pieces date from the late 16th or early 17th century. Bidri objects are cast from an alloy in which zinc predominates, though small amounts of lead, copper and tin may also be found. The decoration may be inlaid with silver, as here, or silver and brass, or overlaid with silver wires hammered onto a cross-hatched surface. The final stage of the process is to apply a saline mud paste over the entire surface which changes the dull grey of the alloy to a matt black without affecting the decoration. The exact chemical process which takes place is still unidentified. After removal of the mud paste, the surface of the piece would be rubbed with oil.


Object details

Categories
Object type
Materials and techniques
Bidri, inlaid with silver
Brief description
EWER: Bidri, inlaid with silver, Deccan, mid-17th century.
Physical description
EWER: Bidri, inlaid with silver, Deccan mid 17th century.
Dimensions
  • Height: 13.1cm
  • Diameter: 10.6cm
Gallery label
EWER: Bidri, inlaid with silver, Deccan mid 17th century. EWER Bidri inlaid with silver Deccan Mid 17th century Given by Mr. Simon Digby. (Nehru Gallery, 2001)
Credit line
Given by Mr. Simon Digby
Object history
Given by Mr. Simon Digby
Summary
This ewer was made in the Deccan region of India in the mid-17th century and belongs to a class of metalwares known as "bidri". Bidri is a technique known only in the Indian subcontinent, and takes its name from the city of Bidar, in the present-day state of Karnatika, where it is thought to have originated. Surviving pieces date from the late 16th or early 17th century. Bidri objects are cast from an alloy in which zinc predominates, though small amounts of lead, copper and tin may also be found. The decoration may be inlaid with silver, as here, or silver and brass, or overlaid with silver wires hammered onto a cross-hatched surface. The final stage of the process is to apply a saline mud paste over the entire surface which changes the dull grey of the alloy to a matt black without affecting the decoration. The exact chemical process which takes place is still unidentified. After removal of the mud paste, the surface of the piece would be rubbed with oil.
Bibliographic references
  • Susan Strone: Bidri Ware, Inlaid Metalwork from India, V & A Museum, 1985, cat. 5, pp. 42-44
  • Robert Skelton, in The Indian Heritage. Court Life and Arts under Mughal Rule, V&A, 1982, cat. 470, p.140, ISBN 0906969263.
Collection
Accession number
IS.11-1973

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Record createdApril 24, 2008
Record URL
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