Bracelet thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
Jewellery, Rooms 91, The William and Judith Bollinger Gallery

Bracelet

1973 (made)
Artist/Maker
Place of origin

Austrian by birth, Gerda Flöckinger emigrated to England as a child. She studied fine art, followed by jewellery and enamelling, and in 1956 took the then-unusual decision to become an independent designer and maker. She established the pioneering course in experimental jewellery at Hornsey College of Art in 1962 and became a key figure in the flowering of British artist-jewellery. Flöckinger was the first contemporary jeweller to have her own exhibition at the V&A, in 1971.

Flöckinger's early work was distinguished by strong abstract forms with flat, polished surfaces. This gave way in the 1960s to organic, molten swirls of fused gold or silver set with glowing gemstones or subtly shaded pearls, a distinctive combination that has come to typify her work. Characteristic is the rich surface textures she achieves, often enhanced by swirls and grains on the molten surface.


Object details

Category
Object type
Materials and techniques
Silver, grey and artificially coloured pearls
Brief description
Bracelet of silver and grey pearls, by Gerda Flöckinger, London, 1973.
Physical description
Bracelet with an undulating profile and a surface patterning of holes, granules and swirling wires. Five grey cultured pearls are irregularly spaced, set in rough 'cratered' settings.
Dimensions
  • Maximum diameter: 8.5cm
Marks and inscriptions
GF (stamped on an applied gold disc on the inside edge)
Summary
Austrian by birth, Gerda Flöckinger emigrated to England as a child. She studied fine art, followed by jewellery and enamelling, and in 1956 took the then-unusual decision to become an independent designer and maker. She established the pioneering course in experimental jewellery at Hornsey College of Art in 1962 and became a key figure in the flowering of British artist-jewellery. Flöckinger was the first contemporary jeweller to have her own exhibition at the V&A, in 1971.

Flöckinger's early work was distinguished by strong abstract forms with flat, polished surfaces. This gave way in the 1960s to organic, molten swirls of fused gold or silver set with glowing gemstones or subtly shaded pearls, a distinctive combination that has come to typify her work. Characteristic is the rich surface textures she achieves, often enhanced by swirls and grains on the molten surface.
Bibliographic reference
Gerda Flöckinger, London : Victoria and Albert Museum, 1986 no.5
Collection
Accession number
M.245-1977

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Record createdApril 15, 2008
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