Untitled, from the portfolio 'Art Ex Machina'
Print
1972 (published)
1972 (published)
Artist/Maker | |
Place of origin |
The computer-generated screenprint from 1972 is part of the portfolio Art Ex Machina, published by Gilles Gheerbrant in Montréal. Ken Knowlton has written the computer program using EXPLOR. Knowlton often collaborated with Lillian Schwartz in the creation of many early computer animations and computer-generated images.
Object details
Categories | |
Object type | |
Materials and techniques | Screenprint |
Brief description | Screenprint, by Ken Knowlton, 1972, from the portfolio 'Art Ex Machina', six computer-generated screenprints by Barbadillo, Kawano, Knowlton, Mohr, Nake, Nees, with a statement by each artist and a text by Abraham A. Moles, edition 193/200, published by Gilles Gheerbrant, Montréal, 1972. |
Physical description | Blue, pink, green and purple screenprint on board, after a computer-generated image. |
Dimensions |
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Copy number | 193 of 200 |
Marks and inscriptions |
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Credit line | Given by the Computer Arts Society, supported by System Simulation Ltd, London |
Production | Ken Knowlton collaborated with Lillian Schwartz in the creation of many early computer animations, such as 'Pixillation'. Attribution note: The computer program was written Kenneth Knowlton, probably using EXPLOR. |
Subject depicted | |
Summary | The computer-generated screenprint from 1972 is part of the portfolio Art Ex Machina, published by Gilles Gheerbrant in Montréal. Ken Knowlton has written the computer program using EXPLOR. Knowlton often collaborated with Lillian Schwartz in the creation of many early computer animations and computer-generated images. |
Other number | CAS/A/0170 - Previous owner's number |
Collection | |
Accession number | E.236:12-2008 |
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Record created | April 14, 2008 |
Record URL |
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