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Hat

1960-1965 (made)
Artist/Maker
Place of origin

‘Balenciaga’s hats are an integral part of his fashion,’ reported the French fashion review Jardin des Modes in 1961. They ensure ‘that volumes are balanced and the silhouette is perfectly finished off.’ Fairly conventional ensembles were often paired with a striking hat which lifted the whole look and made it appear more avant-garde. The client could buy the whole ensemble or leave the hat if it was too daring. The designs for hats were as fiercely protected as those for dresses. The police commissioner stamped the official sketches of the hats to protect them from being copied.

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read Introducing Cristóbal Balenciaga Famed for his exquisite craftmanship and innovative designs, Spanish couturier Cristóbal Balenciaga was known as 'The Master' of haute couture. An inspiration to those who follow in his footsteps, his work continues to shape fashion today.

Object details

Categories
Object type
Materials and techniques
Glacé kid leather, lined with net and interlined with sparterie
Brief description
Glacé kid leather hat, lined with net and interlined with sparterie, designed by Cristóbal Balenciaga, Paris, 1960-1965
Physical description
Hat of black glacé kid leather with the hatband and bow in glacé kid. Lined with net and interlined with sparterie.
Dimensions
  • Height: 12.5cm
  • Diameter: 25cm
  • Weight: 0.1kg
Measured for the Medieval and Renaissance Galleries
Production typeHaute couture
Marks and inscriptions
'BALENCIAGA, 10 Avenue George V, Paris' (Label)
Credit line
Given by Mrs D.M. Haynes and Mrs M. Clark
Object history
Opal Holt was born in Canada in 1887 but lived in the US until the end of the Second World War. She travelled extensively between the wars and was in the first plane to land in Bali. She married Herbert Holt, a Canadian who lived a large part of his life in England, as her third husband in 1946. They came to England and Europe every summer and Opal Holt began buying clothes in Paris for her life in England, and for the Bahamas in Winter, over a period of about thirty years. She died in 1980.

Given by Mrs D.M Haynes and Mrs. Clark (nee Holt; Opal Holt's step-daughters).
Summary
‘Balenciaga’s hats are an integral part of his fashion,’ reported the French fashion review Jardin des Modes in 1961. They ensure ‘that volumes are balanced and the silhouette is perfectly finished off.’ Fairly conventional ensembles were often paired with a striking hat which lifted the whole look and made it appear more avant-garde. The client could buy the whole ensemble or leave the hat if it was too daring. The designs for hats were as fiercely protected as those for dresses. The police commissioner stamped the official sketches of the hats to protect them from being copied.
Collection
Accession number
T.167-1982

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Record createdApril 11, 2008
Record URL
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