Shaft of a Bishop's crozier
Print
ca 1470 (engraved)
ca 1470 (engraved)
Artist/Maker | |
Place of origin |
This engraving depicts the top portion of a bishop's crozier - the ceremonial staff based on a shepherd's crook that is carried in procession by bishops and archbishops.
Martin Schongauer, son of a goldsmith, was among the first European artists to explore the full expressive potential of printmaking. Schongauer's novel use of the technique of engraving, developed from the goldsmith's long-established practice of decorating metal with engraved patterns, was recognized almost immediately and his prints were highly esteemed in his own lifetime. In this print Schongauer has shown a clear understanding for the artisan's creation and his knowledge of the best of the goldsmiths' craft.
Martin Schongauer, son of a goldsmith, was among the first European artists to explore the full expressive potential of printmaking. Schongauer's novel use of the technique of engraving, developed from the goldsmith's long-established practice of decorating metal with engraved patterns, was recognized almost immediately and his prints were highly esteemed in his own lifetime. In this print Schongauer has shown a clear understanding for the artisan's creation and his knowledge of the best of the goldsmiths' craft.
Object details
Categories | |
Object type | |
Title | Shaft of a Bishop's crozier (generic title) |
Materials and techniques | Engraving on laid paper |
Brief description | Engraving of a Bishop's crozier |
Physical description | The lower part of the engraving depicts a polygonal shaft of the crozier rising through an architectural section fitted with niches with small figures beneath Gothic arches with finials, showing St Margaret, a king with a sceptre and orb and St Barbara, standing on consoles. |
Dimensions |
|
Subjects depicted | |
Summary | This engraving depicts the top portion of a bishop's crozier - the ceremonial staff based on a shepherd's crook that is carried in procession by bishops and archbishops. Martin Schongauer, son of a goldsmith, was among the first European artists to explore the full expressive potential of printmaking. Schongauer's novel use of the technique of engraving, developed from the goldsmith's long-established practice of decorating metal with engraved patterns, was recognized almost immediately and his prints were highly esteemed in his own lifetime. In this print Schongauer has shown a clear understanding for the artisan's creation and his knowledge of the best of the goldsmiths' craft. |
Associated object | 14001A (Part) |
Bibliographic reference | Lambert, Susan (ed.) Pattern & Design: Designs for the Decorative Arts 1480-1980 London: Victoria and Albert Museum, 1983 |
Other numbers |
|
Collection | |
Accession number | 14401B |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | April 10, 2008 |
Record URL |
Download as: JSON