Michelangelo's Hand thumbnail 1
Michelangelo's Hand thumbnail 2
+6
images
Image of Gallery in South Kensington
On display at Young V&A
Design Gallery, The Factory, Case 1

Michelangelo's Hand

Model
probably ca. 1580 (made)
Artist/Maker
Place of origin

This terracotta model of a hand, known as 'Michelangelo's Hand' because it was formerly ascribed to him.

The date when a clay model was fired can often be established by measuring the radiation in a sample of the terracotta by a method called thermo-luminescence (or TL) testing. The TL test carried out on this hand showed that it was made in the 16th century, probably about 1580. A similar model of a hand was recorded in a room near the Cappella dei Principi in San Lorenzo, Florence, where Michelangelo carved the marble figures, but it had disappeared by 1813. It is possible that this is the same model.

The hand is cut off above the wrist.
The fingers hold a piece of drapery or indeterminate object, the lower surface of which has been flattened to provide a base.


Object details

Category
Object type
TitleMichelangelo's Hand (popular title)
Materials and techniques
Brief description
Model of a left hand, known as Michelangelo's Hand, terracotta, Italy, 16th century
Physical description
Red surface. The model of the hand is cut off above the wrist. The fingers hold a piece of drapery or indeterminate object, the lower surface of which has been flattened to provide a base.
Dimensions
  • Height: 24.77cm
Gallery label
The date when a clay model was fired can often be established by measuring the radiation in a sample of the terracotta by a method called thermo-luminescence (or TL) testing. The TL test carried out on this hand showed that it was made in the 16th century, probably about 1580. A similar model of a hand was recorded in a room near the Cappella dei Principi in San Lorenzo, Florence, where Michelangelo carved the marble figures, but it had disappeared by 1813. It is possible that this is the same model.(Nov 2000)
Object history
Acquired in Florence (Gherardini Collection)
Historical context
The date when a clay model was fired can often be established by measuring the radiation in a sample of the terracotta by a method called thermo-luminescence (or TL) testing. The TL test carried out on this hand showed that it was made in the 16th century, probably about 1580. A similar model of a hand was recorded in a room near the Cappella dei Principi in San Lorenzo, Florence, where Michelangelo carved the marble figures, but it had disappeared by 1813. It is possible that this is the same model.
Production
This hand is closely related to a well-known and long-celebrated drawing of a hand in the Louvre (Berenson, 1740) now generally considered as a deliberate imitation of Michael Angelo by Bartolommeo Passerotti. The present hand is tentatively identified by Steinmann ("La Mano di Michelangelo", in Studien aus Kunst und Geschichte Friedrich Schneider zum siebzigsten Geburtstage gewidmet, Freiburg, 1906, pp. 79-81) with the hand described by Gaburri, and is ascribed by him, on insufficient grounds, to Tribolo. The attribution of the terracotta to Michelangelo is rejected by Thode (Michelangelo, vi, Berlin, 1913, p. 283, No. 4101), who compares it with the supposed model for the right hand of the Moses formerly in the Hähnel collection (A.8-1938, No. 450, q.v.). Frey (Michelagniolo Buonarroti, i, Berlin, 1907, p. 245 n., ii, p. 22, No. 12 and n.) regards the hand as "ein spätes Machwerk...vielleicht zur Übung angefertigt, vielleicht auch eine Fälschung; wie ich glaube nach Passerottis Studien".
Subject depicted
Summary
This terracotta model of a hand, known as 'Michelangelo's Hand' because it was formerly ascribed to him.

The date when a clay model was fired can often be established by measuring the radiation in a sample of the terracotta by a method called thermo-luminescence (or TL) testing. The TL test carried out on this hand showed that it was made in the 16th century, probably about 1580. A similar model of a hand was recorded in a room near the Cappella dei Principi in San Lorenzo, Florence, where Michelangelo carved the marble figures, but it had disappeared by 1813. It is possible that this is the same model.

The hand is cut off above the wrist.
The fingers hold a piece of drapery or indeterminate object, the lower surface of which has been flattened to provide a base.
Bibliographic references
  • Pope-Hennessy, John. Catalogue of Italian Sculpture in the Victoria and Albert Museum. Volume II: Text. Sixteenth to Twentieth Century. London: Her Majesty's Stationery Office, 1964, p. 433.
  • Inventory of Art Objects Acquired in the Year 1854. In: Inventory of the Objects in the Art Division of the Museum at South Kensington, Arranged According to the Dates of their Acquisition. Vol I. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 17.
  • Pingeot, Anne (ed.), Le Corps en Morceaux, Paris : Ministère de la culture, de la communication, des grands travaux et du bicentenaire : Réunion des Musées Nationaux, 1990. pl 154, cat. no. 93
  • Maclagan, Eric and Longhurst, Margaret H. Catalogue of Italian Sculpture. Text. London: Victoria and Albert Museum, 1932, p. 133.
  • Satzinger, Georg and Schütze, Sebastian, Der Göttliche. Hommage an Michelangelo, Bonn: Bundeskunsthalle, 2015, exh. cat., pp. 114-115, fig. 13
Collection
Accession number
4104-1854

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdApril 3, 2008
Record URL
Download as: JSONIIIF Manifest