The Dawn of Love
Oil Painting
1846 (painted)
1846 (painted)
Artist/Maker | |
Place of origin |
Painting, oil on canvas. By a spring in the fresh Highland countryside, the young man has just declared his love and proposed marriage, and the lass, 'Jeannie fair', has accepted. The timid and hesitant natures of both boy and girl are delightfully expressed, and the picture's simple directness, which perfectly matches that of Burns' verse, make this one of the most affecting images of rustic courtship in nineteenth-century art. Signed and dated by the artist.
Object details
Categories | |
Object type | |
Title | The Dawn of Love (assigned by artist) |
Materials and techniques | oil on canvas |
Brief description | Oil painting entitled 'The Dawn of Love' by Thomas Brooks. Great Britain, 1846. |
Physical description | Painting, oil on canvas. By a spring in the fresh Highland countryside, the young man has just declared his love and proposed marriage, and the lass, 'Jeannie fair', has accepted. The timid and hesitant natures of both boy and girl are delightfully expressed, and the picture's simple directness, which perfectly matches that of Burns' verse, make this one of the most affecting images of rustic courtship in nineteenth-century art. Signed and dated by the artist. |
Dimensions |
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Style | |
Marks and inscriptions | 'T Brooks 1846' (Signed and dated by the artist, lower right) |
Credit line | Given by Christopher Pearse |
Object history | Given by Christopher Pearse, 1864 Like the painting by Duncan (cat.no.74), this has an extrinsic reference provided by a literary quotation instead of a title (it only became known as The Dawn of Love in later years) in the 1846 exhibition catalogue, in the form of lines from a poem by Robert Burns, 'There was a lass'. O Jeannie fair, I love you dear; O can you think to fancy me? Will you leave your mother's home And learn to tend the farms with me? Now what could artless Jeannie do? She had no wish to say no; At length she blushed a sweet consent, And love was ever between them. By a spring in the fresh Highland countryside, the young man has just declared his love and proposed marriage, and the lass, 'Jeannie fair', has accepted. The timid and hesitant natures of both boy and girl are delightfully expressed, and the picture's simple directness, which perfectly matches that of Burns' verse, make this one of the most affecting images of rustic courtship in nineteenth-century art. |
Subjects depicted | |
Bibliographic reference | Parkinson, R., Victoria and Albert Museum, Catalogue of British Oil Paintings 1820-1860, London: HMSO, 1990, p. 11 |
Collection | |
Accession number | FA.241[O] |
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Record created | December 15, 1999 |
Record URL |
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