Martin Ware
Bottle
1900 (made)
1900 (made)
| Artist/Maker | |
| Place of origin |
If Martin-ware [… has] not the transparency of porcelain nor the elaborately and costly ornamentation of Sèvres [it is] pure and honest art work.
This is how the art critic Cosmo Monkhouse described the output of the Martin Brothers' studio in The Magazine of Art in 1882. Eccentric founder Robert Wallace Martin and his siblings Charles, Walter and Edwin epitomized the energy and experimentation of the nineteenth-century art pottery movement. They regarded pottery as a means of artistic expression, rather than a product of industrial manufacture, and were particularly inspired by the naturalistic and rustic flora and fauna forms of the sixteenth-century potter Bernard Palissy and Japanese art - the use of blank space in this underwater design shows the influence of Japanese print-makers.
This flask is typical of the Martin Brothers' grotesque and eccentric stonewares and demonstrates a unique blend of fantasy and imagination.
This is how the art critic Cosmo Monkhouse described the output of the Martin Brothers' studio in The Magazine of Art in 1882. Eccentric founder Robert Wallace Martin and his siblings Charles, Walter and Edwin epitomized the energy and experimentation of the nineteenth-century art pottery movement. They regarded pottery as a means of artistic expression, rather than a product of industrial manufacture, and were particularly inspired by the naturalistic and rustic flora and fauna forms of the sixteenth-century potter Bernard Palissy and Japanese art - the use of blank space in this underwater design shows the influence of Japanese print-makers.
This flask is typical of the Martin Brothers' grotesque and eccentric stonewares and demonstrates a unique blend of fantasy and imagination.
Object details
| Categories | |
| Object type | |
| Title | Martin Ware (manufacturer's title) |
| Materials and techniques | Salt-glazed stoneware with incised and painted decoration, cork and metal. The exterior was painted in a white slip, which was then incised. The incised decoration was then partly filled in and over-painted in brown before firing and salt-glazing. |
| Brief description | 'Martin Ware' bottle, salt-glazed stoneware with incised and painted decoration, made by Martin Bros., London, 1900 |
| Physical description | Flask with cork stopper in metal mount. Salt-glazed stoneware with incised and painted decoration of fantastic fish. |
| Dimensions |
|
| Marks and inscriptions | 'Martin Bros London & Southall 9-1900' (incised)
|
| Gallery label | Bottle 'Martin Ware'
made by the Martin Bros., London, England, 1900
Mark: 'Martin Bros London & Southall 9-1900', incised
Salt-glazed stoneware with incised and painted decoration
C.33-1974 Given by Miss N.V. Wade(23/05/2008) |
| Credit line | Given by Miss N. V. Wade |
| Object history | Given by Miss N.V.Wade |
| Subject depicted | |
| Summary | If Martin-ware [… has] not the transparency of porcelain nor the elaborately and costly ornamentation of Sèvres [it is] pure and honest art work. This is how the art critic Cosmo Monkhouse described the output of the Martin Brothers' studio in The Magazine of Art in 1882. Eccentric founder Robert Wallace Martin and his siblings Charles, Walter and Edwin epitomized the energy and experimentation of the nineteenth-century art pottery movement. They regarded pottery as a means of artistic expression, rather than a product of industrial manufacture, and were particularly inspired by the naturalistic and rustic flora and fauna forms of the sixteenth-century potter Bernard Palissy and Japanese art - the use of blank space in this underwater design shows the influence of Japanese print-makers. This flask is typical of the Martin Brothers' grotesque and eccentric stonewares and demonstrates a unique blend of fantasy and imagination. |
| Collection | |
| Accession number | C.33-1974 |
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| Record created | March 31, 2008 |
| Record URL |
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