Not currently on display at the V&A

Patch-box with floral motifs and animals

Patch Box
first half of the 18th century (made)
Artist/Maker
Place of origin

This is an oval patch-box made in the 18th century France. The box is made of pressed horn and has ivory rim and gilt openwork plate in lid.
Ivory combs, together with mirror cases, boxes and gravoirs for parting the hair, formed an essential part of the trousse de toilette or étui (dressing case) of the typical wealthy lady or gentleman in the period. The two leading cities for ivory carving were Paris and Dieppe. Luxury items, such as combs were often made in Paris, especially during the sixteenth and seventeenth centuries. During the seventeenth century Dieppe became increasingly significant for small-scale sculpture in ivory, perhaps because it was a port.


Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Patch Box
  • Lid
TitlePatch-box with floral motifs and animals (named collection)
Materials and techniques
Ivory, pressed horn and gilt openwork
Brief description
Patch box, horn with ivory rim, French, first half of 18th century
Physical description
This oval patch-box of pressed horn with an inset gilt openwork panel of floral motifs and two dogs or wolves, has an ivory rim.
Dimensions
  • Width: 7.9cm
  • Height: 2cm
Object history
Given by the Rev. R. Brooke in 1864.
Subject depicted
Summary
This is an oval patch-box made in the 18th century France. The box is made of pressed horn and has ivory rim and gilt openwork plate in lid.
Ivory combs, together with mirror cases, boxes and gravoirs for parting the hair, formed an essential part of the trousse de toilette or étui (dressing case) of the typical wealthy lady or gentleman in the period. The two leading cities for ivory carving were Paris and Dieppe. Luxury items, such as combs were often made in Paris, especially during the sixteenth and seventeenth centuries. During the seventeenth century Dieppe became increasingly significant for small-scale sculpture in ivory, perhaps because it was a port.
Bibliographic references
  • Inventory of Art Objects Acquired in the Year 1864. In: Inventory of the Objects in the Art Division of the Museum at South Kensington, Arranged According to the Dates of their Acquisition. Vol I. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 5
  • Trusted, Marjorie, Baroque & Later Ivories, Victoria & Albert Museum, London, 2013, cat. no. 257, p. 271
Collection
Accession number
807:1-1864

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Record createdMarch 25, 2008
Record URL
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