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Icarus (Icare essayant ses Ailes)

Statuette
ca. 1841 (made)
Artist/Maker
Place of origin

Philippe Grass was a French sculptor, born in Wolxheim (in Alsace) in 1801. He was a pupil of the better-known Baron François Joseph Bosio. This bronze statuette representing Icarus was made in France in about 1841 as a reduced version of his work.

Icarus has been depicted over the years by sculptors and painters alike. In Greek mythology, he and his father Daedalus planned to escape from Crete where they had been imprisoned by King Minos. Daedalus made them both wings, of feathers and wax, to attempt the flight. He told his son not to fly too near the sun, but Icarus did so, the wax melted, and he plunged down into the sea.

This statuette was purchased from the French Industrial Exposition held in Paris in 1844 and is one of the earliest acquisitions of the Museum when it was still at Somerset House. A full scale statue in plaster was shown at the Salon of 1831. A statue in bronze was exhibited at the Salon of 1841 and again at the Exposition Universelle at Paris in 1855. Here it was acquired by the Strasbourg Museum, where it was destroyed in the Siege of 1870. This V&A bronze reduction, cast by Eck and Durand, is apparently unpublished. There is another version in the Minneapolis Institute of Art (accession no. 74.8) and these two bronzes may be the only surviving visual records of a once celebrated statue.


Object details

Categories
Object type
TitleIcarus (Icare essayant ses Ailes) (generic title)
Materials and techniques
Bronze, cast
Brief description
Icarus, bronze statuette, by Philippe Grass, French, ca. 1841
Physical description
Bronze statuette of Icarus, looking up to the sky and with wavy hair swept back off his face. His wings are outstretched behind him and his arms and hands fully extended above his head, causing the flesh to be pulled tight over his ribs and curving in at his stomach below. He is nude apart from a fig leaf. His right leg is very tightly bent up, with the right foot supported on the top of a rock which is higher than his left knee. His left leg is straight and he stands on the tip of his toes with his left foot.
Dimensions
  • Weight: 5.5kg
  • Height: 54.6cm
Object history
Purchased from the French Exhibition of 1844. This statuette is one of the earliest acquisitions of the Museum when still at Somerset House. A full scale statue was first shown in plaster at the Salon of 1831 and then in bronze at the Salon of 1841. It was re-exhibited at the Exposition Universelle at Paris (1855) and acquired by the Strasbourg Museum, where it was destroyed in the Siege of 1870. This V&A bronze reduction, cast by Eck and Durand, is apparently unpublished. There is another version in the Minneapolis Institute of Art (accession no. 74.8) and these two bronzes may be the only surviving visual records of a once celebrated statue.
Subjects depicted
Summary
Philippe Grass was a French sculptor, born in Wolxheim (in Alsace) in 1801. He was a pupil of the better-known Baron François Joseph Bosio. This bronze statuette representing Icarus was made in France in about 1841 as a reduced version of his work.

Icarus has been depicted over the years by sculptors and painters alike. In Greek mythology, he and his father Daedalus planned to escape from Crete where they had been imprisoned by King Minos. Daedalus made them both wings, of feathers and wax, to attempt the flight. He told his son not to fly too near the sun, but Icarus did so, the wax melted, and he plunged down into the sea.

This statuette was purchased from the French Industrial Exposition held in Paris in 1844 and is one of the earliest acquisitions of the Museum when it was still at Somerset House. A full scale statue in plaster was shown at the Salon of 1831. A statue in bronze was exhibited at the Salon of 1841 and again at the Exposition Universelle at Paris in 1855. Here it was acquired by the Strasbourg Museum, where it was destroyed in the Siege of 1870. This V&A bronze reduction, cast by Eck and Durand, is apparently unpublished. There is another version in the Minneapolis Institute of Art (accession no. 74.8) and these two bronzes may be the only surviving visual records of a once celebrated statue.
Bibliographic reference
Avery, Charles. From David d'Angers to Rodin - Britain`s National Collection of French Nineteenth-Century Sculpture. In: The Connoisseur, April 1972, vol.179 no. 722, pp. 231- 32, fig 1
Collection
Accession number
379-1844

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Record createdMarch 13, 2008
Record URL
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