Lamentation over the dead Christ thumbnail 1
Lamentation over the dead Christ thumbnail 2
Not currently on display at the V&A

Lamentation over the dead Christ

Relief
3rd quarter 15th century (cast)
Artist/Maker
Place of origin

This panel relief, representing the Lamentation over the Dead Christ, was formerly ascribed to the Paduan Giovanni Minelli (b. ca. 1460; d. after 1527), but is now thought to have been made at Ferrara.

The relief formed the door of a tabernacle. The style and figure types relate closely to works produced at Ferrara in the circle of Niccolo Baroncelli (d. 1453).


Object details

Categories
Object type
TitleLamentation over the dead Christ (generic title)
Materials and techniques
Bronze in low relief with traces of gilding
Brief description
Relief depicting Lamentation over the Dead Christ, Italy (Ferrara), third quarter of the fifteenth century.
Physical description
In the centre is the seated Virgin, wearing a short veil and mantle, gazing downwards to her right at the body of the dead Christ, which is supported on her knees. Her right hand supports the right shoulder of Christ, and her left rests on his waist.
Dimensions
  • Height: 55.9cm
  • Width: 48.7cm
  • Weight: 32kg (Approximately )
  • Depth: 23mm (Depth of bottom edge )
  • Depth: 85mm (Overall depth (back of relief to Christ’s kneecap))
Style
Object history
The relief formed the door of a tabernacle. The style and figure types relate closely to works produced at Ferrara in the circle of Niccolo Baroncelli (d. 1453).
Aquired in London.
Subjects depicted
Summary
This panel relief, representing the Lamentation over the Dead Christ, was formerly ascribed to the Paduan Giovanni Minelli (b. ca. 1460; d. after 1527), but is now thought to have been made at Ferrara.

The relief formed the door of a tabernacle. The style and figure types relate closely to works produced at Ferrara in the circle of Niccolo Baroncelli (d. 1453).
Bibliographic references
  • Inventory of Art Objects Acquired in the Year 1859. In: Inventory of the Objects in the Art Division of the Museum at South Kensington, Arranged According to the Dates of their Acquisition. Vol I. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 39
  • Maclagan, Eric and Longhurst, Margaret H. Catalogue of Italian Sculpture. Text. London: Victoria and Albert Museum, 1932, p. 99
  • Pope-Hennessy, John. Catalogue of Italian Sculpture in the Victoria and Albert Museum. Volume I: Text. Eighth to Fifteenth Century. London: Her Majesty's Stationery Office, 1964, p. 313
  • Raggio, Olga. Catalogue of Italian Sculpture in the Victoria and Albert Museum. Art Bulletin. Vol. L, 1968, p. 101
  • Sgarbi, Vittorio. Domenico di Paris e la scultura a Ferrara nel Quattrocento, 2006, pp. 82-83.
  • Büttner, Andreas (ed) Wettstreit der Künste: Malerei und Skulptur von Dürer bis Daumier, Wolfratshausen : Edition Minerva, 2002 p. 288, cat. 84
  • Mazzotta, Antonio and Salsi, Claudio (eds). Vesperbild: alle origini delle Pietà di Michelangelo. Exhibition Catalogue, Milan, Castello Sforzesco (Milan: Officina Libraria, 2018), pp. 84-85, p. 132 (cat. 15)
Collection
Accession number
5469-1859

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdDecember 15, 1999
Record URL
Download as: JSONIIIF Manifest