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Photograph - Anuradhapura- A stone-built chamber in connection with a small pokuna or bathing pond on the east side of the Tisáwewa. The total length of front is 24 feet 7 inches, and the chamber measures inside 12 feet 7 inches long and 7 feet 1 inch deep.
  • Anuradhapura- A stone-built chamber in connection with a small pokuna or bathing pond on the east side of the Tisáwewa. The total length of front is 24 feet 7 inches, and the chamber measures inside 12 feet 7 inches long and 7 feet 1 inch deep.
    Lawton, Joseph
  • Enlarge image

Anuradhapura- A stone-built chamber in connection with a small pokuna or bathing pond on the east side of the Tisáwewa. The total length of front is 24 feet 7 inches, and the chamber measures inside 12 feet 7 inches long and 7 feet 1 inch deep.

  • Object:

    Photograph

  • Place of origin:

    Sri Lanka (photographed)

  • Date:

    1870s (photographed)

  • Artist/Maker:

    Lawton, Joseph (photographer)

  • Materials and Techniques:

    Albumen print

  • Museum number:

    82735

  • Gallery location:

    In Storage

This stone-built chamber and nearby bathing pond are on the east side of the Tissáwewa, a tank built by King Devanampiyatissa (307-267 BC).

Joseph Lawton (died 1872), a British commercial photographer, was active in Sri Lanka (then Ceylon) between 1866 and 1872. Though he was initially employed by the firm HC Bryde, by the mid 1860s he had established his own studio in Kandy. Lawton was commissioned by the Archaeological Committee to photograph the main archaeological sites in Sri Lanka. He created a unique series of aesthetically powerful images of Anuradhapura, Mihintale, Polonnaruwa and Sigiriya.

Official photographic surveys conducted by Lawton and others documented the architecture and facilitated antiquarian scholarship. However, as a commercial photographer, Lawton made sure that his photographs were not merely documentary. His images were taken to appeal to tourists and overseas buyers seeking picturesque views of ancient ruins overgrown with creepers and gnarled trees.

Physical description

A small stone-built chamber set into a hill with surrounding trees and fallen logs. The chamber consists of flat stone blocks supported by two pillars. There are two male figures positioned at the opening of the chamber; one standing and one crounching down.

Place of Origin

Sri Lanka (photographed)

Date

1870s (photographed)

Artist/maker

Lawton, Joseph (photographer)

Materials and Techniques

Albumen print

Marks and inscriptions

LAWTON
Written on negative and appears in the bottom left hand corner of the print.

BFK Rives No.74
Shallow imprint on the photographic paper. Words are partially cut off and appear upside down at the bottom of the print.

Dimensions

Width: 272 mm photographic print, Height: 215 mm photographic print, Width: 330 mm mount, Height: 263 mm mount

Object history note

This photograph was one of a set purchased by the museum from Lawton and Co. in 1882. See Photograph Register 81259-86096, Modern Volume, 13.
The register entry is dated to 24.4.82, and the cost is noted as £16.43.4

The photograph was initially part of the photographic collection held in the National Art Library. The markings on the mount are an indication of the history of the object, its movement through the museum and the way in which it is categorised.

The mount is white. On the right hand side is a label which reads: A.in.ANURADHAPURA. A label printed with title is pasted underneath the photograph. The title is handwritten on the bottom left hand corner of the mount. The museum number is written in the bottom right hand corner.

Historical significance: The Tisawewa was built by King Devanampiyatissa (307-267 BC) and is the second massive tank to have been built in Anuradhapura. The pioneer hydraulic engineer, King Pandukabhaya (474-407 BC) built the first massive tank, Abhaya, as early as the 5th century BC. The Tisawewa was associated with the bathing rituals of newly crowned kings. Below the lake and tank bund, a Royal Park has been built which features assorted ruins and the remains of other bathing pools.

Anuradhapura was one of the first centres of Buddhism in Sri Lanka and is the home of some of the most sacred Buddhist sites in the world. It is situated in the North West province, about 200km from Colombo. Anuradhapura was established as Sri Lanka’s first capital in 377 BC by King Pandukhabhaya (437-367 BC), who named it after the constellation Anuradha. He started the complex irrigation works on which it depended and King Devanampiya Tissa, who reigned 250-10 BC, began the first stage of religious building. This building project included the Thuparama Dagoba, Issurumuniyagala, the Maha Vihara, the Sri Maha Bodhi and the Brazen Palace. A branch of the Bodhi tree under which the Buddha was believed to have gained Enlightenment was brought from Bodhgaya in India and successfully transplanted.

Anuradhapura remained the capital city until the 9th century when repeated invasions from south India resulted in the deterioration of its architectural structures and the virtual disuse of its irrigation works. After the 13th century, its political functions were taken over first by Polonnaruwa and then by capitals to the south. In the 1820s Ralph Backhaus, a young British civil servant, mounted a private expedition to search for the remains of the city. Despite widespread public interest in his findings, archaeological research, excavation and restoration were not begun until 1872. The New Town was started in the 1950s and is now the most important Sinhalese city of the north. It currently houses the headquarters of the Sri Lanka Archaeological Survey. In 1988, it was designated a World Heritage Site.

Historical context note

This is one of a series of photographs taken by Lawton of the archaeological sites of Anuradhapura, Mihintale, Polonnaruwa and Sigiriya (1870-71). This series was commissioned by the Archaeological Committee (set up by the Governor of Ceylon in 1868) and became his signature work. Photographic surveys, conducted by Lawton and competitors such as the more prolific commercial firm WLH Skeen and Co., coincided with antiquarian scholarship that emerged as a result of the deforestation necessary to lay roadways, railways and plantations in the last quarter of the nineteenth century. This process was propelled by an expansion of both the export and tourist economies. A colleague of Lawton's proposed that his involvement in the physical labour of clearing the archaeological sites that he photographed contributed to his death. After Lawton's death, many prints were produced by the firm for the tourist market, however, the original negatives were sold to a variety of different clients and are now considered to be lost.

Descriptive line

Photograph of Stone-built chamber beside a bathing pond on the east side of the Tisáwewa at Anuradhapura, Sri Lanka, by Joseph Lawton, albumen print, 1870-1.

Bibliographic References (Citation, Note/Abstract, NAL no)

Regeneration: A Reappraisal of Photography in Ceylon, 1850-1900. London: British Council, 2000. ISBN 086355444X
Falconer, John. Pattern of photographic surveys: Joseph Lawton in Ceylon. In: Pelizzari, Maria Antonella. ed. Traces of India: Photography, Architecture, and the Politics of Representation, 1850-1900. Montréal: Canadian Centre for Architecture, 2003. 156-173p., ISBN 0920785743.

Production Note

Likely printed between 1872 and 1882

Attribution note: This is one of a series of photographs taken by Lawton of the archaeological sites of Anuradhapura, Mihintale, Polonnaruwa and Sigiriya (1870-71), commissioned by the Archaeological Committee which the Governor of Ceylon set up in 1868. Two sets of these photographs were produced by Lawton: one which remained in Sri Lanka (now in such poor condition it is considered to be unusable) and a second which was sent to the Colonial Office in London (first kept in the Library of the Foreign and Commonwealth Office and now in The National Archives). After Lawton's death in 1872, further images were produced by the firm under the supervision of his wife and sold largely to a tourist market. Reprints of this particular photograph appear in an album currently held in the Word and Image Department (PH.1202:85-1920) as well as in the Scott Collection (92/16/3) within the India Office Select Materials of the British Library.

Techniques

Albumen process

Subjects depicted

Archaeological sites

Categories

Photographs; Archaeology

Collection

South & South East Asia Collection

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