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Untitled. From the suite 'Ten Works by Ten Painters'

Print
1964 (published)
Artist/Maker
Place of origin

Ad Reinhardt began painting in the 1930s and became one of the most influential figures in American painting during the mid-20th century, as an artist and as a writer and critic.
His early work is abstract but comprised of more or less biomorphic forms with curving linear patterns within the composition. In the 1950s he began to limit his canvases to single colours, but usually of more than one hue. These were generally white, red, or blue. He also began to remove all curving lines, restricting his compositions to strict rectilinear geometry. After 1953 he used only black as a colour. However, within this he also explored tonality, and in his many images of black on black, such as this black cross, he expressed the idea that there is no such thing as an absolute. Such work acted as a powerful influence on the development, throughout the 1960s and '70s, of Conceptualism and Minimalism as aesthetic movements. [Another impression of this print is Circ.132-1969]


Object details

Category
Object type
TitleUntitled. From the suite 'Ten Works by Ten Painters'
Materials and techniques
Screenprint on paper
Brief description
Ad Reinhardt: Untitled. Screenprint from the suite 'Ten Works by Ten Painters' published by the Wadsworth Atheneum, 1964
Physical description
Image of a black cross on a black ground. The bars of the cross the same width as the spaces on either side of them.
Dimensions
  • Sheet height: 61cm
  • Sheet width: 50.8cm
  • Printed surface height: 30.6cm
  • Printed surface width: 30.3cm
Styles
Production typeLimited edition
Copy number
67/5000
Marks and inscriptions
(Not signed or dated. Blind stamped with the printer's chop mark.)
Credit line
Acquired from Peter Tunnard in 1969.
Production
The printing was by Sirocco under supervision of Ives-Sillman
Summary
Ad Reinhardt began painting in the 1930s and became one of the most influential figures in American painting during the mid-20th century, as an artist and as a writer and critic.
His early work is abstract but comprised of more or less biomorphic forms with curving linear patterns within the composition. In the 1950s he began to limit his canvases to single colours, but usually of more than one hue. These were generally white, red, or blue. He also began to remove all curving lines, restricting his compositions to strict rectilinear geometry. After 1953 he used only black as a colour. However, within this he also explored tonality, and in his many images of black on black, such as this black cross, he expressed the idea that there is no such thing as an absolute. Such work acted as a powerful influence on the development, throughout the 1960s and '70s, of Conceptualism and Minimalism as aesthetic movements. [Another impression of this print is Circ.132-1969]
Associated objects
Bibliographic references
  • Museum of Modern Art, New York: American Prints in the Collection of the Museum of Modern Art, 1960-1985. NJ. 1986
  • Taken from Departmental Circulation Register 1969
Collection
Accession number
CIRC.539-1969

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Record createdMarch 7, 2008
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