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Untitled. From the suite 'Ten Works by Ten Painters.'

Print
1964 (published)
Artist/Maker
Place of origin

Stuart Davis was one of the most influential artists of his generation on his fellow Americans. His particular brand of abstraction was rooted in Cubism but also derived much from daily objects he found around him, such as packaging and advertising. His characteristically colourful, hard-edge paintings suggest rather than depict contemporary American life. He frequently introduced lettering or numbers into his compositions and the rhythms of Jazz inspired the dynamic patterns in the work. His impact was most strongly felt on the up-coming generation of Abstract Expressionists and Pop artists. [Another impression of this print is Circ.128-1969]


Object details

Category
Object type
TitleUntitled. From the suite 'Ten Works by Ten Painters.'
Materials and techniques
Colour screen print on paper
Brief description
Stuart Davis: Untitled. Screenprint from the suite 'Ten Works by Ten Painters' published by the Wadsworth Atheneum. 1964
Physical description
Abstract pattern in black, red, green and yellow ochre- hard edge but cross between geometric and organic shapes of colour. Toward lower left on black ground are squiggled white lines that resemble writing, and again towards right of centre at lower margin are more squiggled lines - this time in white on ochre ground. Colours unevenly distributed over picture space but predominantly: ochre yellow at bottom right; black at upper right; red at top right; yellow ochre and green at centre; black at top left; red at centre left; black at bottom left; green at centre on lower margin.
Dimensions
  • Printed surface height: 28cm
  • Printed surface width: 35.9cm
Style
Production typeLimited edition
Copy number
67/100
Marks and inscriptions
(not signed or dated. Blind stamped with printer's chop mark)
Credit line
Acquired from Peter Tunnard in 1969.
Production
The printing was done by Sirocco under supervision of Ives Sillman.
Summary
Stuart Davis was one of the most influential artists of his generation on his fellow Americans. His particular brand of abstraction was rooted in Cubism but also derived much from daily objects he found around him, such as packaging and advertising. His characteristically colourful, hard-edge paintings suggest rather than depict contemporary American life. He frequently introduced lettering or numbers into his compositions and the rhythms of Jazz inspired the dynamic patterns in the work. His impact was most strongly felt on the up-coming generation of Abstract Expressionists and Pop artists. [Another impression of this print is Circ.128-1969]
Associated objects
Bibliographic references
  • Museum of Modern Art, New York: American Prints in the Collectin of the Museum of Modern Art 1960-1985. NJ 1986.
  • Taken from Departmental Circulation Register 1969
Collection
Accession number
CIRC.535-1969

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Record createdMarch 7, 2008
Record URL
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