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Girl with doll playing the piano

Illustration
ca.1900 (made)
Artist/Maker
Place of origin

Ernest Nister (1842-1909) began his publishing career in 1885 when he acquired a lithographic workshop in Nürnberg and printed books for London publishers. In 1888 he became a publisher in his own right with offices at 24 St. Bride Street, London. He appointed the writer and editor, Robert Ellice Mack, as director.

Nister specialised in high quality colour printing for children in the last quarter of the 19th century. Movable books with various mechanisms became his speciality after 1890 (when be published his first stand-up book) but he also produced numerous picture books, annuals, poetry, nursery rhymes, calendars and greetings cards. He worked with a core of writers, including Clifton Bingham and Robert Ellice Mack, and illustrators, in particular Eveline Lance, Harriett M. Bennett, Edith A. Cubitt and Rosa Petherick.

This watercolour by Rosa C. Petherick includes a golliwog, seen next to a girl playing the piano. The original golliwog was a central character in a series of books by Bertha and Florence Upton published between 1895 and 1909. The doll the character was based on was influenced by the Blackface performance tradition, and as such evolved from a performance tradition grounded in racism. While from the late 19th century until the 1960s the golliwog flourished as a toy, its popularity began to wane in the 1970s as many British people felt that it promoted racial stereotypes.


Object details

Categories
Object type
TitleGirl with doll playing the piano (generic title)
Materials and techniques
Watercolour on card
Brief description
Watercolour drawing by Rosa C. Petherick, ca.1900; commissioned by Ernest Nister.
Physical description
Watercolour drawing on stiff card depicting an interior scene of a girl sat at a piano. A doll on her lap 'plays' the piano. With a golliwog beside the girl (please see summary for explanation of the term 'golliwog'). Mounted on card.
Dimensions
  • Mount height: 375mm
  • Mount width: 292mm
Production typeUnique
Marks and inscriptions
  • Artist's cipher in bottom right corner
  • Bookplate on verso reads: 'From the Library of Anne Renier and F.G. Renier'
  • Initialled in ink by Anne Renier on verso: 'AR'
  • Inscribed in blue crayon on verso: '12/12', 'XXXIII', '11357' and '22'
  • Ink stamp on verso reads: 'Ernest Nister / Order no. 42380/1'
  • Partial stamp on verso of card: '[Winsor & Newton's / Drawing Board.]'
  • Inscription in pencil on verso reads: 'Petherick'
Credit line
Donated by Anne Renier and F.G. Renier.
Object history
Drawn by Rosa C. Petherick ca.1900 for Ernest Nister. Bequeathed to the V&A in 1970 by Anne and Fernand G. Renier as part of the Renier Collection
Subjects depicted
Literary referenceCommissioned by Ernest Nister.
Summary
Ernest Nister (1842-1909) began his publishing career in 1885 when he acquired a lithographic workshop in Nürnberg and printed books for London publishers. In 1888 he became a publisher in his own right with offices at 24 St. Bride Street, London. He appointed the writer and editor, Robert Ellice Mack, as director.

Nister specialised in high quality colour printing for children in the last quarter of the 19th century. Movable books with various mechanisms became his speciality after 1890 (when be published his first stand-up book) but he also produced numerous picture books, annuals, poetry, nursery rhymes, calendars and greetings cards. He worked with a core of writers, including Clifton Bingham and Robert Ellice Mack, and illustrators, in particular Eveline Lance, Harriett M. Bennett, Edith A. Cubitt and Rosa Petherick.

This watercolour by Rosa C. Petherick includes a golliwog, seen next to a girl playing the piano. The original golliwog was a central character in a series of books by Bertha and Florence Upton published between 1895 and 1909. The doll the character was based on was influenced by the Blackface performance tradition, and as such evolved from a performance tradition grounded in racism. While from the late 19th century until the 1960s the golliwog flourished as a toy, its popularity began to wane in the 1970s as many British people felt that it promoted racial stereotypes.
Other number
Nister - Previous Renier Collection pressmark
Collection
Library number
RENIER.337

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Record createdMarch 3, 2008
Record URL
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