Photograph

1970 (made)
Not currently on display at the V&A

Artist/Maker
Place Of Origin

Black and white photograph on mounting board of two women crouched over various rugs and textile samples: artist Sheila Hicks is on the left kneeling on one knee and wearing a white blouse embroidered on the shoulders, and a dark-haired woman is on right in a dark top sitting cross-legged.


object details
Categories
Object Type
Materials and Techniques
Mounting board
Brief Description
Photograph on mounting board taken by Martine Franck, Morocco, 1970
Physical Description
Black and white photograph on mounting board of two women crouched over various rugs and textile samples: artist Sheila Hicks is on the left kneeling on one knee and wearing a white blouse embroidered on the shoulders, and a dark-haired woman is on right in a dark top sitting cross-legged.
Object history
Part of Sheila Hicks Studio Loan Box T.504:1 to 17-1998.
Historical context
TEXT ON T.504:1-1998:

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Among world civilisations, those of ancient Peru were probably the only ones which availed themselves to the full extent of the latencies in textile arts. Not only did they succeed like others in elaborating richly decorated surfaces, but they were unique in making bas-relief and even sculpture out of threads.



Overcoming the neglect and the oblivion in which these incomparable works have fallen, Sheila Hicks has retrieved and assimilated their tradition while marrying it felicitously to others such as those of Persia and India. Far from copying them, she has renewed them by original discoveries which appropriate them to the raw materials, the techniques and the aspirations of our time.



Her wall hangings have the living warmth and the thickness of fleece; their complex structure and their shadows seem to chisel out perspectives attributable only to dream palaces; they offer the mellow depth, radiance and mystery of the starry sky.



Nothing better than this art could provide altogether the adornment and the antidote for the functional, utilitarian architecture in which we are sentenced to dwell. It enlivens it with the dense, patient work of human hands and the inventive charms of a creative mind constantly stimulated by experiencing the gamut of those new materials which modern industry supplies, experiencing the gamut of those new materials which modern industry supplies, while remaining faithful to the immemorial rules of the most ancient perhaps of all the arts of civilisation.



Claude Lévi-Strauss

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TEXT ON T.504:2-1998

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Sheila Hicks:

1937 born in Hastings, Nebraska. 1953-59, studies at Yale University with Josef Albers and George Kubler. Fulbright to Chile (Peru, Bolivia, Ecuador) "Pre-Incaic Textiles". 1960-63 lives and works with apiculturist in Guerrero, Mexico. 1964 moves to Paris. 1966 begins weaving in Kerala, India. 1967 enlarges scale of work to make thread bas-reliefs for architectural contexts. Creates ATELIER DES GRANDS AUGUSTINS in Paris and TALLER ARTESANAL HUAQUEN COOPERATIVE in Chile. 1970 begins series of projects in Morocco.



Exhibitions:

Santiago, Chile '58

Souza, Mexico '62

Chicago Art Institute '63

Lands Museum, Oldenburg '65

Prague '68

Brest Museum '70

Museum of Modern Art, NYC '62, '67 and '69

Stedlyk Museum (Stedelijk Museum ) Amsterdam '69

Lausanne Tapestry Biennale '67, '69, '71.



Permanent Installations:

Ford Foundation NYC

C.B.S. NYC

T.W.A. Kennedy NYC

Camino Real, Mexico

Conference Centre of Mecca, Saudi Arabia

Rothschild Bank, Paris

AIR France, 8 of the 747 jets.

Dupont in Wilmington

Banco de Mexico

IBM France

M.G.I.C. in Milwaukee

Prefecture, Val de Marne
Subject depicted
Collection
Accession Number
T.504:10-1998

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record createdFebruary 14, 2008
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