Necklace thumbnail 1
Necklace thumbnail 2
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images
Image of Gallery in South Kensington
On display at V&A South Kensington
Jewellery, Rooms 91, The William and Judith Bollinger Gallery

Necklace

1990-1991 (made)
Artist/Maker
Place of origin

Archaic forms led by the basic techniques of metalworking are appealing in their primitive appearance and direct expression. Tooling marks remaining on the surface of the metal are evidence of the creative process. Forms resulting from the instinctive blows of the hammer are simple and honest. These specifically hand-wrought jewels reflect the natural qualities of the materials from which they are made. Even though these artists were inspired by ancient cultures, their jewels are thoroughly individual and modern in style.

Breon O’Casey has been successful as a painter, sculptor, etcher and printmaker. He became particularly interested in jewellery in 1960 after having seen some illustrations of jewellery by Alexander Calder. His Celtic background was a source of inspiration, as was the work of Barbara Hepworth, who taught him how to carve, and the sculptor Denis Mitchell. He was studio apprentice to both at the St. Ives School.

The simplicity of O’Casey’s necklace gives a primitive sense, yet the design feels modern. Breon O’Casey was fascinated by ancient and ethnic cultures.


Object details

Categories
Object type
Materials and techniques
Coral, gold and carnelian
Brief description
Coral, gold and carnelian necklace. Designed and made by Breon O'Casey. Made in England in 1990-1
Dimensions
  • Height: 27.5cm
  • Width: 30.0cm
  • Depth: 1.3cm
Credit line
Given by Helen Drutt English
Summary
Archaic forms led by the basic techniques of metalworking are appealing in their primitive appearance and direct expression. Tooling marks remaining on the surface of the metal are evidence of the creative process. Forms resulting from the instinctive blows of the hammer are simple and honest. These specifically hand-wrought jewels reflect the natural qualities of the materials from which they are made. Even though these artists were inspired by ancient cultures, their jewels are thoroughly individual and modern in style.

Breon O’Casey has been successful as a painter, sculptor, etcher and printmaker. He became particularly interested in jewellery in 1960 after having seen some illustrations of jewellery by Alexander Calder. His Celtic background was a source of inspiration, as was the work of Barbara Hepworth, who taught him how to carve, and the sculptor Denis Mitchell. He was studio apprentice to both at the St. Ives School.

The simplicity of O’Casey’s necklace gives a primitive sense, yet the design feels modern. Breon O’Casey was fascinated by ancient and ethnic cultures.
Bibliographic references
  • Barbara Cartlidge, Twentieth Century Jewelry, New York 1985
  • Fritz Falk / Cornelie Holzach, Schmuck der Moderne, Modern Jewellery 1960-1998, Stuttgart 1999
  • Helen W. Drutt English / Peter Dormer, Jewelry of Our Time, London 1995
  • Peter Hinks, Twentieth Century British Jewellery 1900 – 1980, London 1983
  • Ransome Wallis, Rosemary Treasures of the 20th Century, Silver, Jewellery and Art Medals from the 20th Century Collection of the Worshipful Company of Goldsmiths, The Goldsmiths’ Company, London 2000
  • Ornament as Art, Avant-garde Jewelry from the Helen Williams Drutt Collection, The Museum of Fine Arts, Houston, Stuttgart 2007
Collection
Accession number
M.1-1996

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Record createdFebruary 14, 2008
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