Not currently on display at the V&A

Tovarich

Plan
late 20th century (made)
Artist/Maker
Place of origin

Groundplan by Michael Annals for Act I Scene ii of Jacques Deval's play Tovarich, unidentified production, late 20th century. Dyeline.

Michael Annals (1938-1990) trained at Hornsey College of Art and began his career designing sets and costumes for the Old Vic. In 1963 the newly formed National Theatre Company moved into the Old Vic and Annals joined them, having his first major success with his designs for Peter Shaffer's historical epic, The Royal Hunt of the Sun (1964). He went on to have an international career, designing for the theatre and for ballet, opera and film, but is most closely associated with the National Theatre, where he created notable settings for a range of productions, including O'Neill's Long Day's Journey into Night starring Laurence Olivier, Hecht and MacArthur's The Front Page and Shaw's Heartbreak House. Annals frequently worked in the United States and was Associate Professor of Scenic Design at Yale in 1966-1967. In 1984 he gave up the stage and took up photography and illustration.






Object details

Categories
Object type
TitleTovarich (generic title)
Materials and techniques
Dyeline
Brief description
Groundplan by Michael Annals for Act I Scene ii of Jacques Deval's play Tovarich, unidentified production, late 20th century. Dyeline.
Physical description
Dyeline of the Groundplan for Act I Scene ii of Tovarich.
Credit line
Bequeathed by Michael Annals
Summary
Groundplan by Michael Annals for Act I Scene ii of Jacques Deval's play Tovarich, unidentified production, late 20th century. Dyeline.

Michael Annals (1938-1990) trained at Hornsey College of Art and began his career designing sets and costumes for the Old Vic. In 1963 the newly formed National Theatre Company moved into the Old Vic and Annals joined them, having his first major success with his designs for Peter Shaffer's historical epic, The Royal Hunt of the Sun (1964). He went on to have an international career, designing for the theatre and for ballet, opera and film, but is most closely associated with the National Theatre, where he created notable settings for a range of productions, including O'Neill's Long Day's Journey into Night starring Laurence Olivier, Hecht and MacArthur's The Front Page and Shaw's Heartbreak House. Annals frequently worked in the United States and was Associate Professor of Scenic Design at Yale in 1966-1967. In 1984 he gave up the stage and took up photography and illustration.




Associated object
S.736-1991 (Original)
Collection
Accession number
S.737-1991

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Record createdMay 22, 2018
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