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Murphy

Photograph
2005 (made)
Artist/Maker
Place of origin

Mary McCartney is a British photographer known for portraiture and fashion photography. She has regularly been commissioned for publications such as Harper's Bazaar and British Vogue, as well as brands including Selfridges, De Beers and the Brit Awards. In 2015 McCartney was chosen to take the official photograph of Queen Elizabeth II to mark the occasion of her becoming the longest reigning Monarch in history. McCartney has had a number of solo exhibitions, including Off Pointe - A Photographic Study of the Royal Ballet After Hours at the Royal Opera House, 2004, and From Where I Stand at the National Portrait Gallery in 2010. She has released two photographic books, Mary McCartney: From Where I Stand in 2010 and Mary McCartney: Monochrome & Colour in 2014.

This selection of fourteen photographs are taken from McCartney’s first solo exhibition, featuring behind the scenes pictures of dancers in the Corps De Ballet during a run of performances at The Royal Opera House between 2004-2007. McCartney has spoken of her desire to capture unguarded, spontaneous moments; for this project, she spent a large amount of time backstage getting to know the dancers, meaning she was able to capture particularly intimate moments when invited into the dancer’s homes and dressing rooms. McCartney deliberately avoided photographing the dancers on stage or in rehearsals. She aimed to explore contradictions between the perfection of the storybook world of ballet depicted onstage with the imperfect reality of the dancer’s day to day lives.


Object details

Category
Object type
TitleMurphy (assigned by artist)
Materials and techniques
gelatin silver print
Brief description
Photograph by Mary McCartney, 'Murphy', from the series 'Off Pointe - A Photographic Study of the Royal Ballet After Hours', 2005, gelatin silver print
Physical description
The photograph shows a topless woman in high-waisted black stockings standing in front of a dressing mirror. She is leaning slightly forward while applying her makeup. On the dressing table and shelves to the subject's left are scattered beauty supplies.
Dimensions
  • Height: 50.5cm
  • Width: 40.5cm
Gallery label
Photography Centre 2018-20: Highlights from the McCartney Collection Linda McCartney photographed many famous and influential figures of the 1960s, including the Beatles, the Rolling Stones and David Bowie. She was the first female photographer to shoot a Rolling Stone magazine cover, with a portrait of Eric Clapton in 1968. She also made many touching personal photographs of her husband, Paul McCartney, and their children. Linda’s work inspired her daughter Mary to take up photography. Mary’s first exhibition featured candid pictures and studies of ballet dancers behind the scenes at Covent Garden’s Royal Opera House. Since then, Mary has gone on to photograph around the world, sharing her mother’s talent for capturing unguarded and unstaged moments. Mary McCartney (born 1969) 1. Making Tea, 2004 2. Bath One, 2004 3. Murphy, 2005 4. Lone Dancer, 2004 Given by Mary McCartney Museum nos. E.301 to 304-2018
Credit line
Given by Mary McCartney
Subjects depicted
Place depicted
Summary
Mary McCartney is a British photographer known for portraiture and fashion photography. She has regularly been commissioned for publications such as Harper's Bazaar and British Vogue, as well as brands including Selfridges, De Beers and the Brit Awards. In 2015 McCartney was chosen to take the official photograph of Queen Elizabeth II to mark the occasion of her becoming the longest reigning Monarch in history. McCartney has had a number of solo exhibitions, including Off Pointe - A Photographic Study of the Royal Ballet After Hours at the Royal Opera House, 2004, and From Where I Stand at the National Portrait Gallery in 2010. She has released two photographic books, Mary McCartney: From Where I Stand in 2010 and Mary McCartney: Monochrome & Colour in 2014.

This selection of fourteen photographs are taken from McCartney’s first solo exhibition, featuring behind the scenes pictures of dancers in the Corps De Ballet during a run of performances at The Royal Opera House between 2004-2007. McCartney has spoken of her desire to capture unguarded, spontaneous moments; for this project, she spent a large amount of time backstage getting to know the dancers, meaning she was able to capture particularly intimate moments when invited into the dancer’s homes and dressing rooms. McCartney deliberately avoided photographing the dancers on stage or in rehearsals. She aimed to explore contradictions between the perfection of the storybook world of ballet depicted onstage with the imperfect reality of the dancer’s day to day lives.
Collection
Accession number
E.303-2018

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Record createdApril 11, 2018
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