Candleholder
ca. 1920 (made)
| Artist/Maker | |
| Place of origin |
Josef Hoffman studied architecture at the Academy of Fine Arts in Vienna under Carl von Hasenauer and Otto Wagner and was influenced by their theories of a functional, modernist architecture. After winning the Rome prize in 1895 and joining Wagner's office, he established his own office in 1898 and taught at the Vienna Kunstgewerbeschule from 1899 to 1936. He was a founding member of the Vienna Secession, an avant-garde group of artists and architects. In 1903 he founded the Wiener Werkstätte with Koloman Moser. Hoffman's earliest works reflect the Vienna Secession's variant of Art Nouveau and his later work shows a pioneering use of geometric and abstract design. His most famous building, the Palais Stoclet in Brussels, built 1905-1911, exemplifies the ideal of the 'Gesamtkunstwerk' or 'total work of art'.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Silver-plated metal |
| Brief description | Silver-plated metal candleholder, made by Josef Holi for Wiener Werkstätte, Vienna, ca. 1920. |
| Physical description | The candleholder consists of a rectangular band of metal which curves downward at each end to form curled feet. The top surface has six cylindrical nozzles attached to it and has a curved underside. The two edges have a beaded finish. |
| Dimensions |
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| Marks and inscriptions | Two marks of the Wiener Werkstätte and the mark of Josef Holi. (On underside.) |
| Summary | Josef Hoffman studied architecture at the Academy of Fine Arts in Vienna under Carl von Hasenauer and Otto Wagner and was influenced by their theories of a functional, modernist architecture. After winning the Rome prize in 1895 and joining Wagner's office, he established his own office in 1898 and taught at the Vienna Kunstgewerbeschule from 1899 to 1936. He was a founding member of the Vienna Secession, an avant-garde group of artists and architects. In 1903 he founded the Wiener Werkstätte with Koloman Moser. Hoffman's earliest works reflect the Vienna Secession's variant of Art Nouveau and his later work shows a pioneering use of geometric and abstract design. His most famous building, the Palais Stoclet in Brussels, built 1905-1911, exemplifies the ideal of the 'Gesamtkunstwerk' or 'total work of art'. |
| Collection | |
| Accession number | CIRC.469-1976 |
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| Record created | January 10, 2008 |
| Record URL |
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