Not currently on display at the V&A

Kalpasutra

Manuscript Page
late 15th century to early 16th century (made)
Artist/Maker
Place of origin

The Kalpasutra (Book of Rituals) is the most important canonical text in Jain literature for the Svetambaras (white-clad), one of the two sects of Jainism. Jainism is one of the oldest religions to have survived until the present time and its basic teaching is one of non-violence. The Kalpasutra is divided into three sections. The first section deals with the lives of the twenty-four Jinas or Tirthankaras, who were the Jain spiritual teachers or 'ford-makers'. The second part deals with the life of Mahavira, the twenty-fourth Tirthankara. The third part deals with rules for the ascetics and laws during the four months (chaturmas) of the rainy season, when ascetics temporarily abandon their wandering life and settle down amidst the laity. This is the time when the festival of Paryushan is celebrated and the Kalpasutra is traditionally recited.
This folio, the last of the manuscript, shows monks, laymen and laywomen seated in three rows with their hands raised in worship, presumably of a Jina, who is not shown.


Object details

Categories
Object type
TitleKalpasutra (generic title)
Materials and techniques
Painted and written in ink, paint and gold on paper
Brief description
Jain manuscript page, Kalpasutra, monks and laity worshipping, ink, paint and gold on paper, Gujarat, late 15th and early 16th century
Physical description
Page recto of a manuscript of the Kalpasutra consisting of 91 folios, numbered 1-92, with folio 3 missing and containing 38 illustrations. The text is written in black ink in Prakrit, seven lines to the page between red and gold marginal rules and blue border decoration. The text of a Sanskrit commentary is inserted in small Nagari characters in the margins. Central and marginal string-holes are decorated but not pierced and on the obverse of each folio the central hole only is marked. Folio numbers are written in the lower right-hand corner of the reverse of each folio but are defective from folio 85 onwards due to insect damage. The colophon is written in red on f.92 verso (see Marks).
The illustration on this folio is in three registers and shows monks and laypeople seated with hands raised in worship. The figure on the right of the upper row has a halo. Women are included among the worshippers.
Dimensions
  • Length: 10.25in
  • Height: 4.25in
Double-ruled red margins, filled with gold on both sides. Illustrations colour used blue, black, red, white, silver and gold.
Content description
Monks and laypeople seated with hands raised in worship. The figure on the right of the upper row has a halo. Women are included among the worshippers.
Style
Marks and inscriptions
  • (Colophon, written on red on f.92 verso. After this first inscription the manuscript has been repaired and the colophon continues in a later hand.)
    Transliteration
    'Iti sri paryushana kalpadhyayana samaptam/chha sri/grain 92'
  • (Colophon, written on red on f.92 verso. Second inscription, continued after the manuscript has been repaired, in a later hand.)
    Translation
    '(This was) redone by the hand of Muni Moti Vijaya, disciple of Pandit Kastura Vijaya Gani.'
    Transliteration
    'Pam(n)[dita] sri 5 ki stura ge [for gani] muni Motiva [for Vi]jaya ni parat saha hasata'
Object history
Purchased in 1959 from Mr. A. Shah c/o. Mrs. G.Charlston, London S.W.16. for £48.
Production
Western India
Subjects depicted
Summary
The Kalpasutra (Book of Rituals) is the most important canonical text in Jain literature for the Svetambaras (white-clad), one of the two sects of Jainism. Jainism is one of the oldest religions to have survived until the present time and its basic teaching is one of non-violence. The Kalpasutra is divided into three sections. The first section deals with the lives of the twenty-four Jinas or Tirthankaras, who were the Jain spiritual teachers or 'ford-makers'. The second part deals with the life of Mahavira, the twenty-fourth Tirthankara. The third part deals with rules for the ascetics and laws during the four months (chaturmas) of the rainy season, when ascetics temporarily abandon their wandering life and settle down amidst the laity. This is the time when the festival of Paryushan is celebrated and the Kalpasutra is traditionally recited.
This folio, the last of the manuscript, shows monks, laymen and laywomen seated in three rows with their hands raised in worship, presumably of a Jina, who is not shown.
Bibliographic references
  • Masterpieces of the Kalpasutra Paintings, Sarbhai M. Nawab. 1956.
  • Catalogue of the Jain Manuscripts of the British Library, Vol.2, page 87, Cat. no. 107.
Collection
Accession number
IS.46:92-1959

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Record createdJanuary 9, 2008
Record URL
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