Necklace
1968 (made)
Artist/Maker | |
Place of origin |
In the 1960s jewellery developed an abstract, sculptural character, with a wide range of visual effects. The traditionally polished surface of gold was no longer fashionable, and instead jewellers played with flame and heat to create new textures and surface finishes. Antony Hawksley's collar neckpiece is typical of this period with its abstract sculptural expression.
Minerals and gemstones were integrated in unique and often asymmetrical cuts. Inexpensive materials were combined with precious metals. The value of a piece of jewellery lay in the imagination of the creator rather than the materials used.
Anthony Hawksley (1921-91) was trained at the Maidstone School of Art, and later the Royal College of Art. In 1951 he exhibited at the Festival of Britain for Goldsmiths' Hall. Hawksley taught silversmithing at Birmingham and Oxford. The Oxford colleges, and in particular Wolfson College, commissioned silver pieces from him.
Minerals and gemstones were integrated in unique and often asymmetrical cuts. Inexpensive materials were combined with precious metals. The value of a piece of jewellery lay in the imagination of the creator rather than the materials used.
Anthony Hawksley (1921-91) was trained at the Maidstone School of Art, and later the Royal College of Art. In 1951 he exhibited at the Festival of Britain for Goldsmiths' Hall. Hawksley taught silversmithing at Birmingham and Oxford. The Oxford colleges, and in particular Wolfson College, commissioned silver pieces from him.
Object details
Categories | |
Object type | |
Materials and techniques | Gilded silver |
Brief description | Necklace designed and made by Anthony Hawksley, 1968, gilded silver |
Physical description | Broad collar with textured spiralling decoration, made from identical units linked together on the reverse. |
Dimensions |
|
Credit line | Given by the artist |
Summary | In the 1960s jewellery developed an abstract, sculptural character, with a wide range of visual effects. The traditionally polished surface of gold was no longer fashionable, and instead jewellers played with flame and heat to create new textures and surface finishes. Antony Hawksley's collar neckpiece is typical of this period with its abstract sculptural expression. Minerals and gemstones were integrated in unique and often asymmetrical cuts. Inexpensive materials were combined with precious metals. The value of a piece of jewellery lay in the imagination of the creator rather than the materials used. Anthony Hawksley (1921-91) was trained at the Maidstone School of Art, and later the Royal College of Art. In 1951 he exhibited at the Festival of Britain for Goldsmiths' Hall. Hawksley taught silversmithing at Birmingham and Oxford. The Oxford colleges, and in particular Wolfson College, commissioned silver pieces from him. |
Collection | |
Accession number | M.25-1973 |
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Record created | January 9, 2008 |
Record URL |
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