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A Moroccan Amir

Watercolour
1850 (painted)
Artist/Maker
Place of origin

Delacroix's gallant captain stands proudly in brilliant sunshine within the walls of the Citadel of Tangier, his martial position further emphasised by the cannon in the background. Portrayed in profile, his hawk-like features and alert, watchful stance are distinctive.
Auguste Delacroix (not to be confused with his more famous namesake) became known for his scenes of everyday rural and coastal life set in and around his native Boulogne. Half-way through his career, in about 1849-50, he visited Morocco, and thereafter oriental subjects were included among the paintings he exhibited at the Salon. This watercolour must have been painted during or shortly after his visit to Tangier.


Object details

Category
Object type
TitleA Moroccan Amir (generic title)
Materials and techniques
Water- and bodycolour, with gum, over pencil, on paper watermarked J WHATMAN
Brief description
Watercolour, A Moroccan Amir, 1850, by Auguste Delacroix
Physical description
Watercolour drawing
Dimensions
  • Height: 42cm
  • Width: 27.3cm
Styles
Marks and inscriptions
Inscribed and dated Tanger. 1850. and signed A. Delacroix.; numbered 44 on former mount
Credit line
Purchased with the assistance of the National Heritage Memorial Fund, Art Fund, Shell International and the Friends of the V&A
Object history
According to Rodney Searight: - '... bt at Valenti, April 1967, £60 [with SD307]'. This object once belonged to the Duc de Montpensier.
Subject depicted
Places depicted
Summary
Delacroix's gallant captain stands proudly in brilliant sunshine within the walls of the Citadel of Tangier, his martial position further emphasised by the cannon in the background. Portrayed in profile, his hawk-like features and alert, watchful stance are distinctive.
Auguste Delacroix (not to be confused with his more famous namesake) became known for his scenes of everyday rural and coastal life set in and around his native Boulogne. Half-way through his career, in about 1849-50, he visited Morocco, and thereafter oriental subjects were included among the paintings he exhibited at the Salon. This watercolour must have been painted during or shortly after his visit to Tangier.
Bibliographic reference
Thomson, James (ed.), The East, Imagined, Experienced, Remembered : Orientalist Nineteenth Century Painting. Dublin, 1988
Collection
Accession number
SD.308

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Record createdJanuary 4, 2008
Record URL
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