Apollon
Print
1995 (designed), 2012 (printed)
1995 (designed), 2012 (printed)
Artist/Maker | |
Place of origin |
Olga Tobreluts (born 1970, Russia) trained as an architect but is internationally prominent as a painter and multi-media artist. She was a leading member of Timur Novikov’s ‘New Academicians’ active in Saint Petersburg during the 1990s. This movement rejected modernism and the avant-garde and turned instead to classical antiquity, Russia’s imperial and totalitarian past, Hollywood movies, western advertising, homo-erotica and kitsch for ideals of physical beauty. Tobreluts was the New Academy’s ‘professor of new technologies’ and pioneered the use of digital media on the Russian art scene. The art critic Bruce Sterling called her ‘Helen of Troy equipped with a video camera and a computer.’ In her Models series, eerily lifelike portraits of the gods and heroes of antiquity, derived from classical sculpture, are digitally dressed in contemporary designer labels.
Object details
Category | |
Object type | |
Titles |
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Materials and techniques | Digital print |
Brief description | Digital print by Olga Tobreluts, 'Apollon' from the series 'Models. Russia, 1995. Printed 2012. |
Physical description | Rectangular (portrait format) colour print: photographically derived image of classical sculpture digitally altered to make it polychrome and lifelike, lettered APOLLON within the image. |
Dimensions |
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Content description | Photographically derived image of classical sculpture digitally altered to make it polychrome and lifelike, lettered APOLLON within the image. |
Production type | Limited edition |
Credit line | Given by Anya Stonelake |
Subjects depicted | |
Summary | Olga Tobreluts (born 1970, Russia) trained as an architect but is internationally prominent as a painter and multi-media artist. She was a leading member of Timur Novikov’s ‘New Academicians’ active in Saint Petersburg during the 1990s. This movement rejected modernism and the avant-garde and turned instead to classical antiquity, Russia’s imperial and totalitarian past, Hollywood movies, western advertising, homo-erotica and kitsch for ideals of physical beauty. Tobreluts was the New Academy’s ‘professor of new technologies’ and pioneered the use of digital media on the Russian art scene. The art critic Bruce Sterling called her ‘Helen of Troy equipped with a video camera and a computer.’ In her Models series, eerily lifelike portraits of the gods and heroes of antiquity, derived from classical sculpture, are digitally dressed in contemporary designer labels. |
Collection | |
Accession number | E.209-2018 |
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Record created | November 16, 2017 |
Record URL |
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