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Tenor Viol

ca. 1660 (made)
Artist/Maker
Place of origin

Viols were made in pitches ranging from treble to bass, and they were often played in an ensemble or 'consort'. They were held between the legs, hence the term viola da gamba, and were played with a bow that was held with the palm of the hand turned outwards. The bow was used in an 'under-arm' motion, rather than the 'over-arm' movement of a violin bow. This exerts less pressure on the string, resulting in a softer sound than made by violins or 'cellos, so viols ultimately proved less suitable for orchestral work. The maker of this viol remains unknown but the instrument was probably made in England, where the instrument flourished from the 1520s until the 1680s.


Object details

Category
Object type
Materials and techniques
Planed and purfled (bordered) pine soundboard; planed sycamore back and sides; planed ebony fingerboard; carved sycamore peg-box
Brief description
English tenor viol, open-scrolled pegbox, sycamore, pine and ebony, about 1660.
Physical description
'Belly of five pieces of pine, single-purfled [bordered]. Back of two pieces of sycamore, slightly bent inwards near the top instead of being normally half-cut. An open scroll [-ed pegbox]. Plain ebony tailpiece, attached to hook-bar, and ebony fingerboard with diagonal cross-banded edges in two shades of brown wood, Nut width 3.5 cm. Six ebony pegs with ivory buttons.' Anthony Baines: Catalogue of Musical Instruments in the Victoria and Albert Museum - Part II: Non-keyboard instruments. (London, 1998), p 4.
Dimensions
  • Total length: 108cm
  • Belly length: 68.5cm
  • Depth: 12.2cm
  • Upper bout width: 23cm
  • Lower bout width: 26cm
Dimensions taken from Catalogue of Musical Instruments in the Victoria and Albert Museum, part II, non-keyboard instruments by Anthony Baines.
Object history
This instrument forned part of the collections of Carl Engel (1818-1882). It was bought for £5 by the Museum in 1882.
Summary
Viols were made in pitches ranging from treble to bass, and they were often played in an ensemble or 'consort'. They were held between the legs, hence the term viola da gamba, and were played with a bow that was held with the palm of the hand turned outwards. The bow was used in an 'under-arm' motion, rather than the 'over-arm' movement of a violin bow. This exerts less pressure on the string, resulting in a softer sound than made by violins or 'cellos, so viols ultimately proved less suitable for orchestral work. The maker of this viol remains unknown but the instrument was probably made in England, where the instrument flourished from the 1520s until the 1680s.
Bibliographic reference
Anthony Baines: Catalogue of Musical Instruments in the Victoria and Albert Museum - Part II: Non-keyboard instruments. (London, 1998), p. 4
Collection
Accession number
153-1882

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Record createdDecember 19, 2007
Record URL
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