The Tunnel
Paper Peepshow
1825 (published)
1825 (published)
| Place of origin |
The Thames Tunnel was one of the most popular British subjects for paper peepshows, and its enduring association with this kind of optical device can still be judged from one of its modern names, the ‘tunnel book’ (this term is most often used in the United States). The paper peepshow’s accordion shape would suggest a natural link to the form of the Tunnel, as the expanded bellows effectively create the depth impression that echoes the Tunnel archways. When we look through the peep-hole of this work, we can see pedestrians and vehicles promenading in the bright underground passage.
The construction of the Thames Tunnel connecting Wapping on the north with Rotherhithe on the south was authorised in 1824. Work began on the Rotherhithe shaft in March 1825, and the first Thames Tunnel paper peepshow appeared as early as 16 June of the same year, showing how the finished work would look. Although the Tunnel officially opened on 25 March 1843, the publishers’ interest in the topic would continue into the 1860s.
Similar to the Great Exhibition, the Thames Tunnel also spurred great public excitement both at home and abroad, and the paper peepshow is but one part of the huge souvenir market this engineering feat gave rise to. Their production in large quantities was however accompanied by a neglect in quality, and a large number of paper peepshows recycled their content from one to the other. The images on cut-out panels in this paper peepshow are the exact replica of those in Gestetner 200 apart from some minor details, (see references). They also share a high level of similarity with those in Gestetner 195, Gestetner 196, and Gestetner 198, (see references).
This paper peepshow, like many others, was published before the Tunnel was completed, and depicts the Tunnel as imagined by the publisher. The horse-drawn carriages shown in the paper peepshow, for instance, were never able to enter the Tunnel in reality, as a ramp was never built.
The construction of the Thames Tunnel connecting Wapping on the north with Rotherhithe on the south was authorised in 1824. Work began on the Rotherhithe shaft in March 1825, and the first Thames Tunnel paper peepshow appeared as early as 16 June of the same year, showing how the finished work would look. Although the Tunnel officially opened on 25 March 1843, the publishers’ interest in the topic would continue into the 1860s.
Similar to the Great Exhibition, the Thames Tunnel also spurred great public excitement both at home and abroad, and the paper peepshow is but one part of the huge souvenir market this engineering feat gave rise to. Their production in large quantities was however accompanied by a neglect in quality, and a large number of paper peepshows recycled their content from one to the other. The images on cut-out panels in this paper peepshow are the exact replica of those in Gestetner 200 apart from some minor details, (see references). They also share a high level of similarity with those in Gestetner 195, Gestetner 196, and Gestetner 198, (see references).
This paper peepshow, like many others, was published before the Tunnel was completed, and depicts the Tunnel as imagined by the publisher. The horse-drawn carriages shown in the paper peepshow, for instance, were never able to enter the Tunnel in reality, as a ramp was never built.
Object details
| Categories | |
| Object type | |
| Title | The Tunnel (published title) |
| Materials and techniques | |
| Brief description | The Tunnel, 1825 |
| Physical description | Accordion-style paper peepshow of the Thames Tunnel imagined by the publisher as it would appear when completed. 5 cut-out panels. 1 peep-hole. Hand-coloured etching. In a slipcase. Expands to approximately 66 cm. Slipcase: a yellow label with the title on a scroll, and a view of a cliff crowned with a classical pavilion on the left, and river or sea in the background. On the back is a text that introduces the construction of the Thames Tunnel. It is the same as the one on the slipcase of Gestetner 198, (see references). Front-face: the title on a swallow-tailed banderole, surmounted by the Swordbearer’s Fur Cap, the City Mace and Sword at the bottom. A large oval peep-hole surrounding shutters. The upper shutter shows a view across the Thames, and the lower shutter is a cross section of the Tunnel. The image is almost identical to the shutter image ofGestetner 198, (see references). Panel 1, 4 and 5: pedestrians in the left and right archways in the Thames Tunnel. Panel 2: a man carrying two pails in the left archway, a carriage drawn by two horses in the right archway. Panel 3: a man accompanying a cart in the left archway, a man in the right archway. Back panel: a cart with a tall load in the left archway, and a brewer’s dray and several pedestrians in the right archway. |
| Dimensions |
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| Credit line | Accepted under the Cultural Gifts Scheme by HM Government from the collections of Jacqueline and Jonathan Gestetner and allocated to the Victoria and Albert Museum, 2016. |
| Object history | Part of the Jacqueline and Jonathan Gestetner Collection, collected over 30 years and given to the V&A Museum through the government's Cultural Gift Scheme, 2016. |
| Summary | The Thames Tunnel was one of the most popular British subjects for paper peepshows, and its enduring association with this kind of optical device can still be judged from one of its modern names, the ‘tunnel book’ (this term is most often used in the United States). The paper peepshow’s accordion shape would suggest a natural link to the form of the Tunnel, as the expanded bellows effectively create the depth impression that echoes the Tunnel archways. When we look through the peep-hole of this work, we can see pedestrians and vehicles promenading in the bright underground passage. The construction of the Thames Tunnel connecting Wapping on the north with Rotherhithe on the south was authorised in 1824. Work began on the Rotherhithe shaft in March 1825, and the first Thames Tunnel paper peepshow appeared as early as 16 June of the same year, showing how the finished work would look. Although the Tunnel officially opened on 25 March 1843, the publishers’ interest in the topic would continue into the 1860s. Similar to the Great Exhibition, the Thames Tunnel also spurred great public excitement both at home and abroad, and the paper peepshow is but one part of the huge souvenir market this engineering feat gave rise to. Their production in large quantities was however accompanied by a neglect in quality, and a large number of paper peepshows recycled their content from one to the other. The images on cut-out panels in this paper peepshow are the exact replica of those in Gestetner 200 apart from some minor details, (see references). They also share a high level of similarity with those in Gestetner 195, Gestetner 196, and Gestetner 198, (see references). This paper peepshow, like many others, was published before the Tunnel was completed, and depicts the Tunnel as imagined by the publisher. The horse-drawn carriages shown in the paper peepshow, for instance, were never able to enter the Tunnel in reality, as a ramp was never built. |
| Bibliographic references |
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| Other number | 38041016058760 - NAL barcode |
| Collection | |
| Library number | Gestetner 199 |
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| Record created | October 17, 2017 |
| Record URL |
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