Evening Dress
ca. 1953 (made)
Artist/Maker | |
Place of origin |
Jean Dessès’s fascination with draping and classical form resulted in gowns of great technical complexity. The intricate pleating across the bodice here is an example of a construction technique that Dessès favoured both for early evening and formal occasions. Although the bodice appears to be soft and unstructured, it is supported by the sewn-in boning common at the time. Dessès's early evening wear used a subtle palette of creams, beiges and pale pinks, but he later introduced vibrant reds as in this example.
Object details
Categories | |
Object type | |
Materials and techniques | Pleated silk chiffon with integral boning |
Brief description | Full length strapless evening dress of silk chiffon, designed by Jean Dessès, France, ca. 1953 |
Physical description | Full length strapless evening dress of red silk chiffon features Dessès's virtuoso pleating technique. A long tie crosses over the neck and falls to the back. With integral boning. |
Style | |
Production type | Haute couture |
Gallery label |
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Credit line | Given by Mrs D.M. Haynes and Mrs M. Clark |
Object history | Opal Holt was born in Canada in 1887 but lived in the US until the end of the Second World War. She travelled extensively between the wars and was in the first plane to land in Bali. She married Herbert Holt, a Canadian who lived a large part of his life in England, as her third husband in 1946. They came to England and Europe every summer and Opal Holt began buying clothes in Paris for her life in England, and for the Bahamas in Winter, over a period of about thirty years. She died in 1980. Given by Mrs D.M Haynes and Mrs. Clark (nee Holt; Opal Holt's step-daughters). |
Summary | Jean Dessès’s fascination with draping and classical form resulted in gowns of great technical complexity. The intricate pleating across the bodice here is an example of a construction technique that Dessès favoured both for early evening and formal occasions. Although the bodice appears to be soft and unstructured, it is supported by the sewn-in boning common at the time. Dessès's early evening wear used a subtle palette of creams, beiges and pale pinks, but he later introduced vibrant reds as in this example. |
Bibliographic references |
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Collection | |
Accession number | T.105-1982 |
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Record created | December 6, 2007 |
Record URL |
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