The Mourning Virgin
Figure
ca. 1150 (made)
ca. 1150 (made)
| Artist/Maker | |
| Place of origin |
This small figure of the Virgin grieving for the death of her son, would have formed part of a group showing the Crucifixion, or perhaps the Deposition from the Cross. She faces to the right, which would allow her to stand in her traditional position to the left of such a group, with a corresponding figure of St John on the right. She was held in position by the use of two spikes which protrude from her back. She may have decorated a large crucifix, or possibly a reliquary casket or altarpiece.
Object details
| Categories | |
| Object type | |
| Title | The Mourning Virgin (generic title) |
| Materials and techniques | Copper alloy, hollow cast; gilded |
| Brief description | 'The Mourning Virgin', copper alloy figure, hollow-cast, gilded, England, ca.1150 |
| Physical description | A figure of The Mourning Virgin , copper alloy, hollow-cast, gilded. The figure is depicted full-length, facing towards the right. She has a veil covering her head, and a plain circular halo. She holds her left hand against her cheek, in the traditional gesture of mourning, and her right hand reaches across her body up to the right. Her full-length robe falls to her feet.On the reverse, the figure has two projecting spikes pierced with small holes for horizontal pins. The back is hollow. |
| Dimensions |
|
| Gallery label | THE MOURNING VIRGIN
Gilt bronze
English; about 1150
From a Crucifixion group
Given by Dr. W. L. Hildburgh |
| Credit line | Given by W.L. Hildburgh |
| Object history | According to the register, the figure was bought in Ringwood market in the autumn of 1951 by an Italian fish and chip vendor who submitted it to the museum. |
| Historical context | The figure must come from a Crucifixion, or Descent from the Cross group. Stratford 1984 links her to a brass Mourning Virgin figure from the British Museum (MME 1968, 7-7, 1, Stratford 1984, cat. no. 231, p. 241, illustrated p. 74) which is similar in type, thought slightly earlier in date. Both are rare survivals of applied 'bronzes' from larger ensembles, either from the left arm of a large crucifix, or from a group decorating a reliquary casket or altarpiece. Surviving metal altars in Scandinavia have Crucifixion groups, but these are in a repoussé technique rather than cast. |
| Production | Stratford 1984 relates the figure to mid 12th century English works like the rood from Barking Abbey and the Wareham lead font (G. Zarnecki, English Romanesque Lead Sculpture, London, 1957, plates 18-27). |
| Subject depicted | |
| Summary | This small figure of the Virgin grieving for the death of her son, would have formed part of a group showing the Crucifixion, or perhaps the Deposition from the Cross. She faces to the right, which would allow her to stand in her traditional position to the left of such a group, with a corresponding figure of St John on the right. She was held in position by the use of two spikes which protrude from her back. She may have decorated a large crucifix, or possibly a reliquary casket or altarpiece. |
| Bibliographic reference | Zarnecki, G. et al (eds.), English Romanesque Art 1066-1200, London, Weidenfeld and Nicolson, 1984
p.245 |
| Collection | |
| Accession number | M.20-1952 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
| Record created | November 28, 2007 |
| Record URL |
Download as: JSONIIIF Manifest
