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Kalpasutra

Manuscript Page
late 15th century to early 16th century (made)
Artist/Maker
Place of origin

The Kalpasutra (Book of Rituals) is the most important canonical text in Jain literature for the Svetambaras (white-clad), one of the two sects of Jainism. Jainism is one of the oldest religions to have survived until the present time and its basic teaching is one of non-violence. The Kalpasutra is divided into three sections. The first section deals with the lives of the twenty-four Jinas or Tirthankaras, who were the Jain spiritual teachers or 'ford-makers'. The second part deals with the life of Mahavira, the twenty-fourth Tirthankara. The third part deals with rules for the ascetics and laws during the four months (chaturmas) of the rainy season, when ascetics temporarily abandon their wandering life and settle down amidst the laity. This is the time when the festival of Paryushan is celebrated and the Kalpasutra is traditionally recited.
Mahavira is shown in the Pushpottara heaven, attended by demi-gods and demi-goddesses.


Object details

Categories
Object type
TitleKalpasutra (generic title)
Materials and techniques
Painted and written in ink, paint and gold on paper
Brief description
Jain manuscript page, Kalpasutra, Mahavira in the Pushpottara heaven, ink, paint and gold on paper, Gujarat, late 15th and early 16th century
Physical description
Part of a manuscript of the Kalpasutra consisting of 91 folios, numbered 1-92, with folio 3 missing and containing 38 illustrations. The text is written in black ink in Prakrit, seven lines to the page between red and gold marginal rules and blue border decoration. The text of a Sanskrit commentary is inserted in small Nagari characters in the margins. Central and marginal string-holes are decorated but not pierced and on the obverse of each folio the central hole only is marked. Folio numbers are written in the lower right-hand corner of the reverse of each folio but are defective from folio 85 onwards due to insect damage. The colophon is written in red on f.92 verso (see Marks).
Mahavira is shown in the Pushpottara heaven, attended by demi-gods and demi-goddesses.
Dimensions
  • Length: 10.25in
  • Height: 4.25in
Double-ruled red margins, filled with gold on both sides. Illustrations colour used blue, black, red, white, silver and gold.
Style
Marks and inscriptions
  • (Colophon, written on red on f.92 verso. After this first inscription the manuscript has been repaired and the colophon continues in a later hand.)
    Transliteration
    'Iti sri paryushana kalpadhyayana samaptam/chha sri/grain 92'
  • (Colophon, written on red on f.92 verso. Second inscription, continued after the manuscript has been repaired, in a later hand. )
    Translation
    '(This was) redone by the hand of Muni Moti Vijaya, disciple of Pandit Kastura Vijaya Gani.'
    Transliteration
    'Pam(n)[dita] sri 5 ki stura ge [for gani] muni Motiva [for Vi]jaya ni parat saha hasata'
Gallery label
  • PAGES FROM A KALPASUTRA MANUSCRIPT Opaque watercolour, ink and gold on paper. Western India, probably Gujarat, c. 1500 ABOVE: QUEEN TRISHALA RECOUNTING HER DREAMS TO HER HUSBAND KING SIDDARTHA IS.46:30-1959 The Kalpasutra (Book of Ritual) is the most frequently illustrated Jain text. It is recited by Shvetambara Jains in the Paryushan festival during the rainy season. The first part deals with the lives of the 24 Jinas (spiritual ‘victors’) revered by the Jains, especially that of the 24th Jina, Mahavira. Before his birth, his mother Queen Trishala dreamed 14 auspicious dreams. Here Siddhartha explains that they foretell the birth of a great king or religious saviour. CENTRE: TRISHALA’S JOY WHEN MAHAVIRA’S EMBRYO MOVES AGAIN IS.46:35-1959 In the womb, Mahavira kept absolutely still out of compassion for his mother. Fearing the baby had died, however, she was plunged into sorrow. Understanding this Mahavira quivered slightly, which filled her with joy. He then resolved not to become a homeless ascetic during his parents’ lifetime. After their death, Mahavira gave up his comfortable life to become a wandering mendicant. He achieved enlightenment and eventually moksha, final liberation from the world of birth, death and rebirth. BELOW: THE BIRTH OF MAHAVIRA IS.46:36-1959 Here Queen Trishala is seen reclining on a couch with the baby, attended by a maid holding a flywhisk. Above, ladies with peacocks watch over the baby in a cradle. The three medallions, one on a gap between the lines of text, recall the earlier practice of writing on palm leaves, which had holes for cords to bind them together. Gold and ultramarine blue were used lavishly in many Jain manuscripts from around 1450(27/9/2013)
Object history
Purchased in 1959 from Mr. A. Shah c/o. Mrs. G.Charlston, London S.W.16. for £48.
Production
Western India
Subjects depicted
Summary
The Kalpasutra (Book of Rituals) is the most important canonical text in Jain literature for the Svetambaras (white-clad), one of the two sects of Jainism. Jainism is one of the oldest religions to have survived until the present time and its basic teaching is one of non-violence. The Kalpasutra is divided into three sections. The first section deals with the lives of the twenty-four Jinas or Tirthankaras, who were the Jain spiritual teachers or 'ford-makers'. The second part deals with the life of Mahavira, the twenty-fourth Tirthankara. The third part deals with rules for the ascetics and laws during the four months (chaturmas) of the rainy season, when ascetics temporarily abandon their wandering life and settle down amidst the laity. This is the time when the festival of Paryushan is celebrated and the Kalpasutra is traditionally recited.
Mahavira is shown in the Pushpottara heaven, attended by demi-gods and demi-goddesses.
Bibliographic references
  • Masterpieces of the Kalpasutra Paintings, Sarbhai M. Nawab. 1956.
  • Catalogue of the Jain Manuscripts of the British Library, Vol.2, page 87, Cat. no. 107.
Collection
Accession number
IS.46:1-1959

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Record createdNovember 1, 2007
Record URL
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