Panel thumbnail 1
Not currently on display at the V&A

Panel

1500-1540 (made)
Artist/Maker
Place of origin

Carved panels were used to decorate both fixed woodwork (like panelled walls or fireplaces) and portable furniture (like chests or cupboards). A great variety of renaissance ornament, such as the symmetrical vase, curled leaf or the cherub on this panel, was used all over northern Europe, often in conjunction with traditional linenfold ornament.

To make a panel, usually a single split (or riven) oak board was used, and the shallow carved ornament created using chisels and sometimes a plane. The back of the panel would be left undecorated, and the edges worked all round to form a uniform narrow tongue. These edges of the panels were held in grooves cut along the edges of an oak framework held firmly together using mortice and tenon joints. This method, known as panelling, was relatively lightweight, but also durable since the panels, not needing to be fixed with nails, were unlikely to warp or split.


Object details

Categories
Object type
Materials and techniques
Carved oak
Brief description
Oak, French, 1500-40
Physical description
Panel carved in shallow relief with symmetrical renaissance style ornament. From above: two confronting eagles with outstretched wings are perched on a foliate saucer. The saucer sits (supported on a tiny vase) on the head of a male cherub (angel) with outstretched wings and arms, holding in each hand a cord with tassel. Below the waist the cherub becomes a foliate plant stem rising from a urn-shaped vase with gadrooning, set on a flat foliate form. The reverse chamfered.

With two holes at the edges, and a loss on the PL hand of the cherub.
Dimensions
  • Height: 51cm
  • Width: 19.2cm
  • Thickness: 1.2cm
Style
Object history
Bought for £4 from Mr H.W. Ford, 11 Old Queen St., Westminster.
R.P. 4287/37
Subjects depicted
Summary
Carved panels were used to decorate both fixed woodwork (like panelled walls or fireplaces) and portable furniture (like chests or cupboards). A great variety of renaissance ornament, such as the symmetrical vase, curled leaf or the cherub on this panel, was used all over northern Europe, often in conjunction with traditional linenfold ornament.

To make a panel, usually a single split (or riven) oak board was used, and the shallow carved ornament created using chisels and sometimes a plane. The back of the panel would be left undecorated, and the edges worked all round to form a uniform narrow tongue. These edges of the panels were held in grooves cut along the edges of an oak framework held firmly together using mortice and tenon joints. This method, known as panelling, was relatively lightweight, but also durable since the panels, not needing to be fixed with nails, were unlikely to warp or split.
Associated object
W.111-1937 (Ensemble)
Collection
Accession number
W.110-1937

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Record createdNovember 1, 2007
Record URL
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