Not currently on display at the V&A

Ornament

1860-1872 (made)
Artist/Maker
Place of origin

The 1851 Great Exhibition inspired a series of ‘London International Exhibitions’ which took place in South Kensington in 1871, 1872, 1873 and 1874. Fine arts and scientific inventions and discoveries remained central display themes but each exhibition presented different aspects of manufacture. In 1872 one emphasis was on jewellery, including ‘peasant jewellery’. The Exhibition Commissioners arranged with the South Kensington Museum (later V&A) to make a collection of peasant jewellery from ‘all parts of the world, which should become public property, for exhibition in the Museum after the close of the Exhibition’. A letter was sent by the Secretary of State for Foreign Affairs to British representatives overseas asking for their help in securing pieces of jewellery, particularly examples with ‘a direct connection with the native instinctive art, which has been handed down by a long tradition’. The outcome was considered to be ‘most satisfactory … a collection of characteristic ornaments never before equalled was obtained’.

This ornament is part of this collection. It is described in the Museum’s accessions register as an ‘ornament for the top of a fez or tarboosh’ (a round brimless red felt hat) from Egypt. It is formed of a silver disc from which hang seventeen chains and pendants. The pendants appear to represent common domestic objects including a hammer, an axe, a sword, a coffee pot and a frying pan. They would have been intended as amulets, to help protect and bring good fortune to the wearer.


Object details

Categories
Object type
Materials and techniques
Repoussé silver with cast silver and silver chain
Brief description
Silver disc ornament (kurs) with pendants for the top of a fez or tarboosh, Egypt, 1860-1872.
Physical description
Disc of sheet silver, slightly curved, decorated with a repousse eight-pointed star. There are 17 cast silver pendants hanging from the rim on short lengths of foxtail chain, consisting of: a frying pan, a coffee pot, a weight, a bowl, a hammam shoe, an awl (?), a trowel, a pick, a hammer, a hand, a seal, a lock, a sword, a scorpion, a dagger, an axe, and a pistol.
Marks and inscriptions
  • '٨٠' over wavy line, in square frame. (On disc and on each pendent implement, except for the seal, sword, dagger, scorpion, weight and trowel.)
    Translation
    Mark for 800 standard silver.
  • '٨٠', a crescent and a stylised lion, in an oval frame. (On disc and on four pendants: the sword, dagger, trowel and scorpion.)
    Translation
    Mark for 800 standard silver, Egypt, c.1839-1920.
  • Partial mark of a calligraphic monogram in Arabic. (On the disc.)
    Translation
    Tughra of the Ottoman Sultan.
Object history
Acquired by the Exhibition Commissioners of the London International Exhibition of 1872 as an example of 'peasant jewellery' and then transferred to the South Kensington (now V&A) Museum.
Subjects depicted
Summary
The 1851 Great Exhibition inspired a series of ‘London International Exhibitions’ which took place in South Kensington in 1871, 1872, 1873 and 1874. Fine arts and scientific inventions and discoveries remained central display themes but each exhibition presented different aspects of manufacture. In 1872 one emphasis was on jewellery, including ‘peasant jewellery’. The Exhibition Commissioners arranged with the South Kensington Museum (later V&A) to make a collection of peasant jewellery from ‘all parts of the world, which should become public property, for exhibition in the Museum after the close of the Exhibition’. A letter was sent by the Secretary of State for Foreign Affairs to British representatives overseas asking for their help in securing pieces of jewellery, particularly examples with ‘a direct connection with the native instinctive art, which has been handed down by a long tradition’. The outcome was considered to be ‘most satisfactory … a collection of characteristic ornaments never before equalled was obtained’.

This ornament is part of this collection. It is described in the Museum’s accessions register as an ‘ornament for the top of a fez or tarboosh’ (a round brimless red felt hat) from Egypt. It is formed of a silver disc from which hang seventeen chains and pendants. The pendants appear to represent common domestic objects including a hammer, an axe, a sword, a coffee pot and a frying pan. They would have been intended as amulets, to help protect and bring good fortune to the wearer.
Bibliographic reference
List of Objects in the Art Division, South Kensington Museum, acquired during the year 1873, London: George E. Eyre and William Spottiswoode
Collection
Accession number
1526-1873

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Record createdOctober 25, 2007
Record URL
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